From one of contemporary literature’s bestselling, critically acclaimed, and beloved authors: a “luminous” novel (Jennifer Egan, The New York Times Book Review) about a fiercely compelling young widow navigating grief, fear, and longing, and finding her own voice—“heartrendingly transcendant” (The New York Times, Janet Maslin).
Set in Wexford, Ireland, Colm Tóibín’s magnificent seventh novel introduces the formidable, memorable, and deeply moving Nora Webster. Widowed at forty, with four children and not enough money, Nora has lost the love of her life, Maurice, the man who rescued her from the stifling world to which she was born. And now she fears she may be sucked back into it. Wounded, selfish, strong-willed, clinging to secrecy in a tiny community where everyone knows your business, Nora is drowning in her own sorrow and blind to the suffering of her young sons, who have lost their father. Yet she has moments of stunning insight and empathy, and when she begins to sing again, after decades, she finds solace, engagement, a haven—herself.
Nora Webster “may actually be a perfect work of fiction” (Los Angeles Times), by a “beautiful and daring” writer (The New York Times Book Review) at the zenith of his career, able to “sneak up on readers and capture their imaginations” (USA TODAY). “Miraculous...Tóibín portrays Nora with tremendous sympathy and understanding” (Ron Charles, The Washington Post).
T ib n's 10th novel offers a compelling portrait of an Irish woman for whom fate has prescribed loneliness. Widowed at 40, with four children and shaky finances, Nora rejects condolences and pity. She is so intent on making her children's lives normal that she ignores their need to mourn as well. In the wake of her husband's terminal illness, she instills fear and bewilderment in her two younger boys; they have nightmares, and one begins to stutter. The two girls, away at school, are resentful as well. Nora is sometimes obtuse about the choices she makes. She is short-tempered and sharp-tongued, and she makes significant mistakes but her frailties make her an appealing character. Catholicism is woven into the setting of 1970s Enniscorthy. The Church is represented by a mean, small-minded teacher in the Christian Brothers monastery school and by a saintly nun who acts as guardian angel for the family. Several years pass, in which Nora gradually finds an unexpected fulfillment in a talent she had never acknowledged. T ib n (Brooklyn) never employs dramatic fireworks to add an artificial boost to the narrative. No new suitor magically appears to fall in love with Nora. Instead, she remains a brave woman learning how to find a meaningful life as she goes on alone.