The Insubordination of Photography The Insubordination of Photography
Reframing Media, Technology, and Culture in Latin/o America

The Insubordination of Photography

Documentary Practices under Chile's Dictatorship

    • $27.99
    • $27.99

Publisher Description

Latin American Studies Association Visual Culture Section Best Book Prize

Latin American Studies Association Historia Reciente y Memoria Section Best Book Prize

Honorable Mention, Conference on Latin American History Susan M. Socolow and Lyman L. Johnson Prize

The role of documentary photography in exposing and protesting the crimes of a dictatorship

After Augusto Pinochet rose to power in Chile in 1973, his government abducted, abused, and executed thousands of his political opponents. The Insubordination of Photography is the first book to analyze how various collectives, organizations, and independent media used photography to expose and protest the crimes of Pinochet’s authoritarian regime. 



Ángeles Donoso Macaya discusses the ways human rights groups such as the Vicariate of Solidarity used portraits of missing persons in order to make forced disappearances visible. She also calls attention to forensic photographs that served as incriminating evidence of government killings in the landmark Lonquén case. Donoso Macaya argues that the field of documentary photography in Chile was challenged and shaped by the precariousness of the nation’s politics and economics and shows how photojournalists found creative ways to challenge limitations imposed on the freedom of the press.



In a culture saturated by disinformation and cover-ups and restricted by repression and censorship, photography became an essential tool to bring the truth to light. Featuring never-before-seen photographs and other archival material, this book reflects on the integral role of images in public memory and issues of reparation and justice.  



A volume in the series Reframing Media, Technology, and Culture in Latin/o America, edited by Héctor Fernández L’Hoeste and Juan Carlos Rodríguez  



Publication of the paperback edition made possible by a Sustaining the Humanities through the American Rescue Plan grant from the National Endowment for the Humanities.

GENRE
History
RELEASED
2023
January 24
LANGUAGE
EN
English
LENGTH
298
Pages
PUBLISHER
University of Florida Press
SELLER
Ingram DV LLC
SIZE
20.9
MB
Ambivalent Ambivalent
2019
Citizens of Memory Citizens of Memory
2017
The Ethics of Seeing The Ethics of Seeing
2018
Remaking Reality Remaking Reality
2018
Filtering Histories Filtering Histories
2021
Haunted Objects Haunted Objects
2021
Lanallwe Lanallwe
2023
La insubordinación  de la fotografía La insubordinación  de la fotografía
2021
Digital Humanities in Latin America Digital Humanities in Latin America
2023
The Lost Cinema of Mexico The Lost Cinema of Mexico
2022
Digital Satire in Latin America Digital Satire in Latin America
2024
Tropical Time Machines Tropical Time Machines
2024
Internet, Humor, and Nation in Latin America Internet, Humor, and Nation in Latin America
2024
The Rise of Central American Film in the Twenty-First Century The Rise of Central American Film in the Twenty-First Century
2023