Jane Austen
A Life
-
-
4.6 • 9 Ratings
-
-
- $13.99
-
- $13.99
Publisher Description
At her death in 1817, Jane Austen left the world six of the most beloved novels written in English—but her shortsighted family destroyed the bulk of her letters; and if she kept any diaries, they did not survive her. Now acclaimed biographer Claire Tomalin, author of A Life of My Own, has filled the gaps in the record, creating a remarkably fresh and convincing portrait of the woman and the writer.
While most Austen biographers have accepted the assertion of Jane's brother Henry that "My dear Sister's life was not a life of events," Tomalin shows that, on the contrary, Austen's brief life was fraught with upheaval. Tomalin provides detailed and absorbing accounts of Austen's ill-fated love for a young Irishman, her frequent travels and extended visits to London, her close friendship with a worldly cousin whose French husband met his death on the guillotine, her brothers' naval service in the Napoleonic wars and in the colonies, and thus shatters the myth of Jane Austen as a sheltered and homebound spinster whose knowledge of the world was limited to the view from a Hampshire village.
PUBLISHERS WEEKLY
Tomalin (The Invisible Woman) solves the problem of preparing yet another biography of Jane Austen (1775-1817), a "life of no event," by a familiar formula. At every turn, one meets "may have," "may be" and "might have." A biographical boon is the large supporting cast. Tomalin takes 100 pages to get Austen to age 18 by filling in the pages with stories about her relatives and neighbors in Hampshire. An entire chapter is devoted to a single Austen letter--and because few of her letters survive, Tomalin suggests that in some years, in a letter-writing age, Austen wrote none whatsoever. Such apparent silences are suffused with hypotheses about her dreary existence during the long gaps between her teenage novelizing and her shrewd, mature works like Emma and Mansfield Park, which followed the much-delayed publication of Sense and Sensibility and Pride and Prejudice. Tomalin is strikingly sensitive, however, to Austen's life of social discomfort. In what is a very personal book, she often resorts to the first person, which fits the speculative approach. Photos not seen by PW. FYI: For reviews of two other Austen biographies published this year, see Jane Austen by Valerie Grosvenor Myer in Nonfiction Forecasts and Jane Austen by David Nokes .
