In the Hugo-award winning, epic New York Times Bestseller and basis for the BBC miniseries, two men change England's history when they bring magic back into the world.
In the midst of the Napoleonic Wars in 1806, most people believe magic to have long since disappeared from England - until the reclusive Mr. Norrell reveals his powers and becomes an overnight celebrity.
Another practicing magician then emerges: the young and daring Jonathan Strange. He becomes Norrell's pupil, and the two join forces in the war against France.
But Strange is increasingly drawn to the wild, most perilous forms of magic, and he soon risks sacrificing his partnership with Norrell and everything else he holds dear.
Susanna Clarke's brilliant first novel is an utterly compelling epic tale of nineteenth-century England and the two magicians who, first as teacher and pupil and then as rivals, emerge to change its history.
APPLE BOOKS REVIEW
This absolute delight of a novel will speak to fans of classic British fiction and modern fantasy. In the first decades of the 1800s, after centuries during which the otherworldly arts have been extinct, two men bring real, practical magic back to England. Gilbert Norrell is an intensely private man, while the showboating Jonathan Strange is so eager to be loved by the public that he uses magic to help the Duke of Wellington in his war against Napoleon. Author Susanna Clarke combines Jane Austen’s dry wit, Charles Dickens’ love of outrageous minor characters, and Henry James’ mastery of unsettling suspense. (Not to mention a David Foster Wallace–like fondness for footnotes, which she uses to create an entire faux history of British magic!) Don’t be daunted by its epic length—Jonathan Strange and Mr Norrell is so enthralling that you’ll wonder how you finished it so quickly.
A starred or boxed review indicates a book of outstanding quality. A review with a blue-tinted title indicates a book of unusual commercial interest that hasn't received a starred or boxed review.JONATHAN STRANGE & MR NORRELLSusanna Clarke. Bloomsbury, (800p) The drawing room social comedies of early 19th-century Britain are infused with the powerful forces of English folklore and fantasy in this extraordinary novel of two magicians who attempt to restore English magic in the age of Napoleon. In Clarke's world, gentlemen scholars pore over the magical history of England, which is dominated by the Raven King, a human who mastered magic from the lands of faerie. The study is purely theoretical until Mr. Norrell, a reclusive, mistrustful bookworm, reveals that he is capable of producing magic and becomes the toast of London society, while an impetuous young aristocrat named Jonathan Strange tumbles into the practice, too, and finds himself quickly mastering it. Though irritated by the reticent Norrell, Strange becomes the magician's first pupil, and the British government is soon using their skills. Mr. Strange serves under Wellington in the Napoleonic Wars (in a series of wonderful historical scenes), but afterward the younger magician finds himself unable to accept Norrell's restrictive views of magic's proper place and sets out to create a new age of magic by himself. Clarke manages to portray magic as both a believably complex and tedious labor, and an eerie world of signs and wonders where every object may have secret meaning. London politics and talking stones are portrayed with equal realism and seem indisputably part of the same England, as signs indicate that the Raven King may return. The chock-full, old-fashioned narrative (supplemented with deft footnotes to fill in the ignorant reader on incidents in magical history) may seem a bit stiff and mannered at first, but immersion in the mesmerizing story reveals its intimacy, humor and insight, and will enchant readers of fantasy and literary fiction alike.
Customer ReviewsSee All
but long and sometimes dry
Mr. Norrel and Mr. Strange
A most satisfying read! A narrative voice that has just the right shades and highlights of feeling, generous but never overcrowded descriptive detail. The rhythms and turbulences of this prose, and the intimate tone with which Ms Clark addresses the reader shows her joy in storytelling.