Jumping the Queue
A Novel
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- 11٫99 US$
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- 11٫99 US$
وصف الناشر
A "quirky, sad, and very funny" novel about suicide, matricide, and an unlikely love, from one of England's best-loved authors (The Guardian).
Determined to end it all after the death of her husband, Matilda Poliport's carefully laid plans to kill herself are derailed when she comes to the rescue of another potential bridge jumper—a notorious young man on the run for having murdered his mother.
Faced with the choice of either turning him in to the police or continuing on with her suicide attempt, Matilda makes the obvious decision and takes Hugh Warner home to stay with her while they both sort out what to do next.
As Hugh and Matilda find surprising comfort in each other, secrets about Matilda's deceased husband are revealed, leaving Matilda to face some very uncomfortable facts about her life. And as the pair plot to help Hugh escape the law, they will both need to face the truth about themselves and how far they are willing to go for each other.
This "virtuoso performance of guileful plotting, deft characterizations, and malicious wit" showcases the talents of Mary Wesley at her caustic and comical best (The Times, London).
PUBLISHERS WEEKLY
Late-bloomer Wesley published this first novel in Britain at the age of 70a fact that explains the breadth of experience reflected here. As a practical decision, Matilda Poliport, middle-aged and recently widowed, is preparing at the story's outset to commit suicide before the trials of old age can beset her. But she is temporarily thwarted by an encounter with a highly publicized gentleman murderer on the runa matricide, in fact. Matilda whimsically decides to shelter the otherwise sympathetic killer for a few days and agrees to abet his escape to the Continent. Within their brief, strangers-on-a-train-like intimacy, Matilda talks frankly about her life, while the matricide remains strangely silent about his odious crime. However, what the reader learns about Matilda is far more than she admits to herself. Wesley leaves us wondering about the limits of human knowing and what anyone can ever finally determine about either the past or one's true motivations. Reality in this contemporary novel remains an open system. The rub is that Matilda, on the one hand, is remarkably self-aware but, on the other, not only self-deluding but also the victim of a reductive imagination, outright lies and withheld or fragmentary informationpitfalls, the novel suggests, that await the reader of this or any other narrative, be it fiction or so-called fact. The novel is delivered in a bright, sparkling style, full of witty asides on the fatuity of modern culture and mores, all the better to underscore its dark themes.
