Kin
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- $18.99
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- $18.99
Publisher Description
Kin is a dazzling family epic from one of Croatia's most prized writers. In this sprawling narrative which spans the entire twentieth century, Miljenko Jergović peers into the dusty corners of his family's past, illuminating them with a tender, poetic precision.
Ordinary, forgotten objects - a grandfather's beekeeping journals, a rusty benzene lighter, an army issued raincoat - become the lenses through which Jergović investigates the joys and sorrows of a family living through a century of war. The work is ultimately an ode to Yugoslavia - Jergović sees his country through the devastation of the First World War, the Second, the Cold, then the Bosnian war of the 90s; through its changing street names and borders, shifting seasons, through its social rituals at graveyards, operas, weddings, markets - rendering it all in loving, vivid detail. A portrait of an era.
PUBLISHERS WEEKLY
Bosnian writer Jergović (Mama Leone) pulls off an intricate and innovative narrative encompassing biography, history, travelogue, and fiction. In it, Bosnian author Miljenko Jergović has lived as a "foreigner" in Zagreb since 1993, where, as narrator, he channels stories of Sarajevo and the ways in which the city has embodied the 20th century's major flash points—religious intolerance, virulent nationalism, and world wars. Leitmotifs and locales introduced early recirculate throughout: Miljenko's great-grandfather's exile from Dubrovnik in 1920, an ancestral house on Kasindol Street in Ilidža, a Temple where his family members and fellow expatriates have worshiped since the 1930s, the apartment on Sepetarevac where Miljenko grew up and lived until the war began in 1992, his grandfather's apiary in a village near Dražnica, work on the railroads that sustained his forefathers, and his uncle Mladen's death while fighting in the German army in WWII. Jergović devotes the first section to quotidian ancestral history, but even here the scope widens with soaring chapters on the geopolitical changes after WWII, such as the proliferation of German guest workers in Sarajevo from the East and West, who would be abroad until "their countries lifted themselves up, renewed." Miljenko's mother's battle with cancer, detailed in a long metafictional section titled "Mama Ionesco," becomes the book's magnetic center, and dozens of shimmering vignettes build to the hallucinatory novella-length capstone "Sarajevo Dogs," in which Jergović returns in 2012 to visit his sick mother and reflect on the "city that had spit out." Jergović's exhausting and astonishing project offers endless rewards.
