



Languages of Truth
Essays 2003-2020
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4.7 • 6 Ratings
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- $15.99
Publisher Description
Newly collected, revised, and expanded nonfiction from the first two decades of the twenty-first century—including many texts never previously in print—by the Booker Prize–winning, internationally bestselling author
Longlisted for the PEN/Diamonstein-Spielvogel Award for the Art of the Essay
Salman Rushdie is celebrated as “a master of perpetual storytelling” (The New Yorker), illuminating truths about our society and culture through his gorgeous, often searing prose. Now, in his latest collection of nonfiction, he brings together insightful and inspiring essays, criticism, and speeches that focus on his relationship with the written word and solidify his place as one of the most original thinkers of our time.
Gathering pieces written between 2003 and 2020, Languages of Truth chronicles Rushdie’s intellectual engagement with a period of momentous cultural shifts. Immersing the reader in a wide variety of subjects, he delves into the nature of storytelling as a human need, and what emerges is, in myriad ways, a love letter to literature itself. Rushdie explores what the work of authors from Shakespeare and Cervantes to Samuel Beckett, Eudora Welty, and Toni Morrison mean to him, whether on the page or in person. He delves deep into the nature of “truth,” revels in the vibrant malleability of language and the creative lines that can join art and life, and looks anew at migration, multiculturalism, and censorship.
Enlivened on every page by Rushdie’s signature wit and dazzling voice, Languages of Truth offers the author’s most piercingly analytical views yet on the evolution of literature and culture even as he takes us on an exhilarating tour of his own exuberant and fearless imagination.
PUBLISHERS WEEKLY
"Before there were books, there were stories," writes Rushdie (Quichotte) in this mesmerizing collection. In the first of four sections, Rushdie explores how the "stories we fall in love with make us who we are": "Wonder Tales" sees him praising fiction for containing "profound truths." The second section focuses on writers: both Cervantes and Shakespeare, Rushdie writes, showed that fiction could be "many things at the same time." A piece about playwright Harold Pinter, a staunch friend of Rushdie's who stood up for him during the furor over his 1988 novel The Satanic Verses, highlights Pinter's notorious disdain for explaining his work. The third recounts Rushdie's work as president of PEN America: in "Courage," he challenges the notion that "writers, scholars, and artists who stand against orthodoxy or bigotry are to blame for upsetting people." The final section assembles Rushdie's writing on the visual arts, as in an essay on painter Amrita Sher-Gil's "ferocity of mind." (Rushdie's answers to the famous Proust questionnaire caps things off.) Rushdie's writing is erudite and full of sympathy, brimming with insight and wit: "Literature has never lost sight of what our quarrelsome world is trying to force us to forget. Literature rejoices in contradiction." Rushdie's fans will be delighted.