Brant was a scientist, a space scientist. He had techniques and technologies at his fingertips that would have looked like magic to the old timers of the twentieth century.
There were new sciences that hadn't been heard of a century before. Things like Teleportology and Psycholithography. The specialised departmental scientists were narrow field experts in spheres of work that a twentieth century man wouldn't even have begun to comprehend.
Science had the answer to most things, but there was a new world out through the Hyperdrive Lanes, a world of mystery on the edge of the universe. It was inhabited by ebony skinned humanoids, with proud noble chieftains and weird La-akas or medicine men.
Brant and his crew scoffed at first. "Primitive magic and superstition" laughed the scientists. Then the La-akas did things that science couldn't' explain. Things like controlling nature.
Brant and his men began to investigate the age of the culture. It wasn't primitive, it was old.... thousands of years older than Earth.... And it throbbed with terrible danger.
British author Titchmarsh (Rosie) brings the art world alive in this engaging romantic drama. In 2007, James "Jamie" Ballantyne reconnects with childhood chum and flame, Artemis "Missy" King, who resurfaces in the showroom of Jamie's auction house in Bath to bid on a painting on behalf of her grandfather. The reunited couple discover that a set of paintings by Sir Alfred James Munnings, owned by Missy's grandfather (himself owner of an established fine art gallery), are fakes. Their investigation reveals a long thread of family secrets and the source of the feud between their two families, revelations that cause the couple to split up. Titchmarsh alternates between the present and the story of Jamie's grandfather, Harry Ballantyne, and Missy's grandmother, Eleanor King, who met as art students at Oxford. The effect is nostalgic and builds anticipation and curiosity in the history of the two families, including the story behind the lost love of their grandparents.