Lights Out for Granddad

Stephanie Golding takes licentious advantage of men. Or so it seems. Is that why she is brutally murdered at the crest of a quiet ravine, and with a weapon suggesting more torture than passionate death? Her fiancé vehemently denies involvement, so does everyone else.
The murderer in this apparently vengeful killing is investigated relentlessly by Detective Chief Inspector Charles Merstowe and his team of police and medical experts. Voyeurs, opportunists, friends of the victim, a mysterious white-haired man, shadows: all are suspect. Secrets must be uncovered, foibles exposed and explanations ruthlessly delved. Merstowe knows this, but the case fast becomes a losing challenge. Not much adds up. And what about upsetting machinations and revelations closer to home? There are unwelcome surprises there too. Even the police are disturbed.
An eventual ownership of the crime raises more fog than it diffuses. Perhaps only another death will clear the air completely of jealousy, hatred, blame, retribution and revenge. In the meantime, the veteran Merstowe is forced to question his own skills as a detective. His protégé questions his morals as well. His own doubts cast shadows over himself. Is he remotely on the right track? Was the victim in fact an angel? Or was she instead a cunning devil, too clever by half? Who were really her friends, and who her enemies? Most importantly, what’s wrong with the evidence? Stephanie Golding suffered in death. But why? It needs to be sorted out.