In broad desert daylight, a mysterious platoon of soldiers evacuates the entire population of Sunrise Valley, Nevada. Minutes later, a huge bomb detonates a hundred feet above the ground and lays waste to homes, cars, and playgrounds: a town annihilated in an instant.Alex Cross is on vacation in San Francisco with his girlfriend, Jamilla Hughes, when he gets the call. The Russian supercriminal known as the Wolf claims responsibility for the blast.
Major cities around the globe are threatened with total destruction. The Wolf has proven he can do it; the only question is, can anyone stop him in time? Surveillance film of the blast reveals the presence of another of Alex Cross' most dangerous enemies, the ruthless assassin known as the Weasel.
World leaders have just four days to prevent an unimaginable cataclysm. Joining forces with Scotland Yard and Interpol, Alex fights his way through a torrent of false leads, impersonators, and foreign agents before he gets close to the heart of the crimes. Racing down the hairpin turns of the Riviera in the most unforgettable finale James Patterson has ever written, Alex Cross confronts the truth of the Wolf's identity, a revelation that even Cross himself may be unable to survive.
In his 10th adventure, Alex Cross, now working full time for the FBI, is confronted by two of his most deadly foes: the faceless ex-KGB agent from last year's Big Bad Wolf, who's known as "The Wolf" and is threatening four metropolises with nuclear destruction; and the insane serial killer The Weasel, last seen in Patterson's Pop Goes the Weasel. Patterson's action is fast and furious, and narrators Fernandez and O'Hare do a fine job of keeping up with him. O'Hare does especially well with his performance of The Wolf, giving the Russian-accented villain a calm, almost soothing vocalization that nicely counters his sadistic actions. Fernandez brings a warm humanity to Cross, especially in scenes with his family, giving listeners a break from the murder and mayhem that rule much of the book. The narrators' performances are accompanied by well-placed music and sound effects. Each chapter opens with an ominous ticking clock and an electronically distorted voice announcing the chapter title, a technique that at first seems fitting for the book's style and tone, but soon becomes more annoying than effective. Still, this one quibble will not stop Patterson's fans from thoroughly enjoying the latest installment in the Cross series. Simultaneous release with the Little, Brown hardcover (Forecasts, Nov. 8, 2004).
Reads alot like Dan brown. Great read I didn't stop till I finished. If you like big action kinda books this is for you.
Great never dull
Best Cross since first in series...been 'catching up' for past 3 months.