Low Country
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4.2 • 53 Ratings
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- $8.99
Publisher Description
Caroline Venable has everything her Southern heritage promised: money, prestige, a powerful husband—and a predictable routine of country-club luncheons, cocktail parties, and dinners hosting her husband's wealthy friends, clients, and associates in his successful land-developing conglomerate.
To escape her stifling routine, Caro drinks a little too much. But her true solace is the Lowcountry island her beloved Granddaddy left her—an oasis of breathtaking beauty that is home to a band of wild ponies. When Caro learns that her husband must develop the island or lose the business, she is devastated. The Lowcountry is her heritage—and what will happen to the ponies whose spirit and freedom have captivated her since childhood?
Saving the island could cost Caroline more than she ever imagined. To succeed, she must confront the part of herself numbed by alcohol and careful avoidance—and shatter long-held ideals about her role in society, her marriage, and ultimately, herself.
PUBLISHERS WEEKLY
A Siddons heroine of a familiar stripe, Caroline Aubrey Venable battles adversity and despair to save her South Carolina island in a somewhat unwieldy novel that again shows us a woman maturing under pressure. The death of her daughter five years earlier still shadows Caroline's life, and her occasional overindulgence in alcohol is something neither she nor her husband of 25 years will discuss--so long as Caroline continues dutifully to play "mother superior" to the junior partners of her husband Clay's land-developing empire. When rumor comes to light that Clay's company plans to turn their low country home into a theme park--threatening the wild ponies that Caroline loves, not to mention the Gullahs who have lived there for centuries--Caroline is roused from her stupor. The leisurely pace and evocative atmospheric background of Siddons's fiction are in evidence here, and the confiding tone of this first-person narrative of betrayal and redemption offers few surprises. Some readers, however, may find Caroline annoyingly self-absorbed; may question why she doesn't object more strenuously when Luis Cassells--one of the islanders--characterizes Clay as "Mengele"; may find Siddons's depiction of Luis as a Cuban-Jewish Don Quixote improbable; may take umbrage at Caroline's patronization of the Gullahs; and may agree that the climax, while surprising, makes for a pat denouement. $250,000 ad/promo; U.K. rights to Little, Brown; first serial and dramatic rights: Virginia Barber; audio rights: HarperAudio; translation rights: HarperCollins; author tour.
