Lowside of the Road
A Life of Tom Waits
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4.7 • 3 Ratings
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- $6.99
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- $6.99
Publisher Description
With his trademark growl, carnival-madman persona, haunting music, and unforgettable lyrics, Tom Waits is one of the most revered and critically acclaimed singer-songwriters alive today. After beginning his career on the margins of the 1970s Los Angeles rock scene, Waits has spent the last thirty years carving out a place for himself among such greats as Bob Dylan and Neil Young. Like them, he is a chameleonic survivor who has achieved long-term success while retaining cult credibility and outsider mystique. But although his songs can seem deeply personal and somewhat autobiographical, fans still know very little about the man himself. Notoriously private, Waits has consistently and deliberately blurred the line between fact and fiction, public and private personas, until it has become impossible to delineate between truth and self-fabricated legend.
Lowside of the Road is the first serious biography to cut through the myths and make sense of the life and career of this beloved icon. Barney Hoskyns has gained unprecedented access to Waits’s inner circle and also draws on interviews he has done with Waits over the years. Spanning his extraordinary forty-year career from Closing Time to Orphans, from his perilous “jazzbo” years in 1970s LA to such shape-shifting albums as Swordfishtrombones and Rain Dogs to the Grammy Award winners of recent years, this definitive biography charts Waits’s life and art step by step, album by album.
Barney Hoskyns has written a rock biography—much like the subject himself—unlike any other. It is a unique take on one of rock’s great enigmas.
PUBLISHERS WEEKLY
When a celebrity not only refuses to cooperate with a would-be biographer but persuades most of his inner circle not to grant interviews either, the writer's task is much more daunting. In trying to account for the 40-year career of eccentric singer/songwriter (and occasional film actor) Tom Waits, Hoskyns (Hotel California) puts his subject's reluctance front and center, openly speculating on the rumors that Waits's wife has engineered his withdrawal from his early associates. The armchair psychology extends to Waits's idiosyncratic public persona, but is buttressed with interviews with as many people as Hoskyns could get to talk, a few conversations he had with Waits for magazine pieces and excerpts from other articles over the years. For the most part, Waits's musical transformation from hip troubadour to far-out maverick is well contextualized, but when Hoskyns's resources are stretched thin in this overlong book, his pronouncements become less compelling. Readers may not particularly care what the biographer thinks of Waits's last album, for example, nor need a complete set list from a random concert. Despite these problems, however, Hoskyns deserves credit for trying to give Waits the critical scrutiny his work deserves.
