Mad as Hell
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5.0 • 2 Ratings
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- $5.99
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- $5.99
Publisher Description
“I’m mad as hell, and I’m not going to take it anymore!” The words of Howard Beale, the fictional anchorman in the 1970s hit film Network, struck a chord with a generation of Americans. From the disgrace of Watergate to the humiliation of the Iran hostage crisis, the American Dream seemed to be falling apart.
In this magisterial new history, Dominic Sandbrook re-creates the schizophrenic atmosphere of the 1970s, the world of Henry Kissinger and Edward Kennedy, Anita Bryant and Jerry Falwell, Bruce Springsteen and Tom Landry. He takes us back to an age when feminists were on the march and the Communists seemed to be winning the Cold War, but also when a new kind of right-wing populism was transforming American politics from the ground up. Those years gave us organic food, disco music, gas lines, and gay rights—but they also gave us Proposition 13, the neoconservative movement, and the rise of Ronald Reagan.
From the killing fields of Vietnam to the mean streets of Manhattan, this is a richly compelling picture of the turbulent age in which our modern-day populist politics was born. For those who remember the days when you could buy a new Ford Mustang II but had to wait hours to fill the tank, this could hardly be a more vivid book. And for those born later, it is the perfect guide to a tortured landscape that shaped our present, from the financial boardroom to the suburban bedroom: the extraordinary world of 1970s America.
PUBLISHERS WEEKLY
Inspired by the famous scene in Network in which TV watchers howl their inchoate rage, historian Sandbrook (Eugene McCarthy) offers a shrewd, sparkling politico-cultural history of post-Watergate America. Sandbrook locates the decade's heart in the popular distrust and subsequent resentment of all institutions governments, corporations, and unions. The individualism that results, Sandbrook argues, resonates with the roots of evangelicalism and develops into the beginnings of right-wing Christian populism. This fertile if not entirely original take on the era offers insightful interpretations of 1970s watersheds, from Jimmy Carter's canny "outsider" presidential campaign to property-tax revolts and battles over school busing and the ERA. Sandbrook sets his chronicle against a panorama of gasoline lines, stagflation, and epochal changes in race relations, women's roles, and sexual mores, woven together with cultural touchstones from Bruce Springsteen to Charlie's Angels. Sandbrook's account of right-wing populism as a mass phenomenon, fed by real grievances over social and economic turmoil and a pervasive sense of decline, largely misses the role of business interests; still, his subtle, well-written narrative of wrathful little guys confronting a faltering establishment illuminates a crucial aspect of a time much like our own. Photos.
