Madwoman of the Sacred Heart #3
The Sorbonne's Madman
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- $5.99
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- $5.99
Publisher Description
The comedic and ironic misadventures of a confused Philosophy professor on the path to spiritual awakening.
PUBLICATION IN 3 VOLUMES - COMPLETED SERIES
Alan Mangel has it all. As a popular Philosophy Professor at the world famous Université de La Sorbonne, he is wealthy, married and academically acclaimed. On his sixtieth birthday, however, Alan’s life will crumble as Elisabeth, a beautiful young student, claims she received a vision from God that he is to impregnate her with the second-coming of John the Baptist. As Alan gives himself up to the wild forces bullying him through life, he engages on a spiritual journey that challenges his very reality. Everything once true is proven to be false. Everything once false is proven to be true.
One of the most compelling and personal works by legendary international comics superstars Moebius and Alexandro Jodorowsky (The Incal).
PUBLISHERS WEEKLY
Avant-garde filmmaker Jodorowsky (The Holy Mountain) and internationally renowned illustrator Moebius have crafted a graphic tour de force that perfectly fuses their particular sensibilities. Mining Jodorowsky's fascination with religion, mysticism and philosophy, the story follows Alan Mangel, a sixty-year-old professor of philosophy at La Sorbonne, whose world upended when his wife leaves him for another man. Along with Mangel's very public cuckolding comes the loss of the respect of his cult-like cadre of students, all save Elizabeth, a young beauty who claims a vision from God told her she would be impregnated by Mangel and their union would result in the second coming of John the Baptist. Following that statement, Mangel embarks on a spiritually and sexually-charged journey through farcical adventures with Elizabeth, a fellow believer named Muhammad, and the spectacularly-endowed and seemingly insane daughter of a Columbian drug lord, whom Elizabeth and Muhammad believe to be the earthly incarnation of Mary (though hardly virginal), but who comes to believe herself to be Jesusa, the self-proclaimed "androgynous Christ." Loaded with Jodorowsky's signature tropes, the story evolves into a full-blown hyperkinetic self-parody, fully aided and abetted by the loosest, most breezy work Moebius has done in years.