In her best-selling debut, Commencement, J. Courtney Sullivan explored the complicated and contradictory landscape of female friendship. Now, in her highly anticipated second novel, Sullivan takes us into even richer territory, introducing four unforgettable women who have nothing in common but the fact that, like it or not, they’re family.
For the Kellehers, Maine is a place where children run in packs, showers are taken outdoors, and old Irish songs are sung around a piano. Their beachfront property, won on a barroom bet after the war, sits on three acres of sand and pine nestled between stretches of rocky coast, with one tree bearing the initials “A.H.” At the cottage, built by Kelleher hands, cocktail hour follows morning mass, nosy grandchildren snoop in drawers, and decades-old grudges simmer beneath the surface.
As three generations of Kelleher women descend on the property one summer, each brings her own hopes and fears. Maggie is thirty-two and pregnant, waiting for the perfect moment to tell her imperfect boyfriend the news; Ann Marie, a Kelleher by marriage, is channeling her domestic frustration into a dollhouse obsession and an ill-advised crush; Kathleen, the black sheep, never wanted to set foot in the cottage again; and Alice, the matriarch at the center of it all, would trade every floorboard for a chance to undo the events of one night, long ago.
By turns wickedly funny and achingly sad, Maine unveils the sibling rivalry, alcoholism, social climbing, and Catholic guilt at the center of one family, along with the abiding, often irrational love that keeps them coming back, every summer, to Maine and to each other.
Sullivan follows debut Commencement with a summer spritzer that's equal parts family drama, white wine, and Hail Marys. The story follows the struggles of three generations of Kelleher women: drunken Alice, the mass-going matriarch; her rebel daughter, Kathleen, a Sonoma County farmer; Kathleen's sister-in-law, the dollhouse aficionado Ann Marie; and Kathleen's daughter, Maggie, an aspiring writer. Rather than allowing the characters to grow or the plot to thicken, the novel's conflict derives almost entirely from the airing (or not) of various grievances (Alice believes herself responsible for her sister's death; Maggie is pregnant, single, and terrified; Kathleen is still the bitter person she was before she sobered up; Ann Marie has a martyr complex). The Kelleher summer home on the Maine coast is the putative center around which the drama revolves, yet it is the women's common love for Daniel, the patriarch rendered faultless in death, who does the most to bring the women together. The book's tension is watered down at best, like a sun-warmed cocktail: mildly effective, but disappointing. When conflict finally does break the surface, the exhilaration is visceral but short-lived. Late in the story, Kathleen tells Maggie, "It's going to be okay," to which she responds, "It has to be." Unfortunately, the reader never gets much chance to worry otherwise.
Customer ReviewsSee All
Very good writer, not my religious beliefs, but did learn so many things about the Catholic Church that I thought possibly had faded from the old traditional ways. These generations of family showed me I had much to learn about this Faith. A family story that keeps the reader sticking to what is going to happen next. Do recommend for an entertaining read.
I felt like the back story for each women went on a little too long in the beginning of the book. It took a long time for the plot to unfold. When the family finally all arrived at Maine, the story became intriguing, but before that I felt as if I was stuck in the setting of the story.
I am not quite sure I understand the ending of the story. I am assuming Alice died, but I really don’t know and that is a bit unsatisfying.
More depressing than funny
These people are nothing but mean to each other. And the ending makes it worse.