



Malaparte: A Biography
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- $19.99
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- $19.99
Publisher Description
A sweeping, definitive biography of the polarizing Italian writer whose infamous politics, relationship with Mussolini, and irrepresable knack for invention made him one of the most provocative artists and thinkers of his time.
Curzio Suckert—best known by his pen name, Malaparte—was not only a literary master but one of the mystery men of twentieth-century letters. The son of a cosmopolitan German businessman and an Italian mother, Malaparte led a life that was intimately entwined from start to finish with the twentieth century’s troubled history, and only recently has it become possible to begin to separate fact from the screen of fictions with which he continually surrounded himself.
The diplomat and novelist Maurizio Serra tells the story of a precocious child who hurried to enlist in the French Army and endured the horrors of trench warfare in World War I. Taking up the pen of the journalist in the interwar years, Malaparte both allied himself and fell out with Mussolini, writing his provocative bestseller Coup d’État: The Technique of Revolution to popularize the lessons of the Bolshevik revolution and the Fascist March on Rome before being sent into exile in provincial Italy. During World War II, Malaparte reported from the eastern front, joined forces with the occupying Allies after Mussolini’s fall, and secretly wrote the first of his two masterpieces, Kaputt, a record of wartime enormities and atrocities that is as stylish as it is hellish. With The Skin, a black comedy about the U.S. Army in Naples, Malaparte cemented a reputation for daring and disturbing originality. A polymath and shapeshifter— Fascist, Communist, a converted Catholic on his deathbed—on the move between society salons, the corridors of power, and the front lines, Malaparte is a complex and fascinating subject.
PUBLISHERS WEEKLY
In this bloated debut biography, diplomat Serra covers in granular detail the complicated life of Italian journalist and novelist Curzio Malaparte (1898–1957). Serra describes how during WWI, Malaparte fought as part of a French volunteer legion despite his father's German ancestry. He joined the Italian National Fascist Party in the 1920s and laid the groundwork for Italy's 1940 invasion of Greece by writing dubious newspaper dispatches on anti-Italian sentiments in the country. After WWII, Malaparte wrote his first novel, Kaputt, about the horrors he witnessed reporting from the Eastern Front during that conflict. Ever the chameleon, he built on his experiences as a war photographer by branching out into film, directing the 1951 drama The Forbidden Christ. He also sustained a late-in-life flirtation with communism, spending his final years before dying of cancer traveling to Moscow and China. Serra's attempts to grapple with Malaparte's confusing political ideology never quite make sense of its many contradictions and often come across as unpersuasive defenses. For example, Serra downplays Malaparte's fascist and Maoist sympathies by implausibly insisting he "breathed the air of totalitarian ideologies without becoming infected." It's a tedious portrait that too often excuses its subject's flaws instead of confronting them.