Material Idea - On the Legibility of Culture

What we call “the real” is also the result of a protocol of reading. Such a reading is unavoidably historical and contingent, as a product of a specific temporary sense. It also stands also within a complex correlation of marked and unmarked spaces, therefore in a spatial sense too. But this last one also carries the evidence of time. Such “marks”, taken as individual projections or choices, are not only constantly changing, according for instance to the daylight (or nocturne illumination, or twilight palettes), to the instant temper.