Honorable Mention in the 2019 OCM Bocas Prize for Caribbean Literature Longlist!
"After the 2010 Haiti earthquake kills her parents, a woman returns to Haiti after leaving it as a child, 25 years ago. A powerful and engrossing story, this read cannot be missed."
--Bustle, 35 Most Anticipated Fiction Books of 2018
"In this fascinating novel about Haitian life, Ulysse beautifully braids together the struggle for personal redemption with the struggle for dignity and human rights."
--Rain Taxi Review of Books
"Ulysse gives readers a riveting story of a woman who is trying to make sense of a homescape that, if not wholly disappeared, is irrevocably altered."
"With lush descriptions and Creole-inflected dialogue, Katia D. Ulysse frankly and deftly writes about the nuances and class differences in Haiti. Mouths Don't Speak explores how trauma touches us at home and abroad, wherever those places may be. This includes the experiences of the underserved kids Jacqueline teaches, American veterans, the earthquake victims, and children and their parents. Ulysse illustrates the complicated but unbreakable connections we have to family and home, and shows how privilege doesn't necessarily keep you from tragedy."
"A captivating portrait of a woman plagued with worry about family and homeland, this beautifully written novel recalls Toni Morrison's Paradise."
"Powerful...As Ulysse explores grief, she moves beyond her protagonist to consider the murky motivations and emotions of other characters. This is a harrowing, thoughtful dive into the aftermath of national and personal tragedies filtered through diasporic life."
"Ulysse punctuates...descriptions of the lush Florestant plantation with insightful observations about strained family dynamics. The ties that bind can also constrict us."
"In Drifting, Ulysse's 2014 story collection, Haitian immigrants struggle through New York City after the 2010 earthquake that destroyed much of their county. In her debut novel, Ulysse revisits that disaster with a clearer and sharper focus. Jacqueline Florestant is mourning her parents, presumed dead after the earthquake, while her ex-Marine husband cares for their young daughter. But the expected losses aren't the most serious, and a trip to freshly-wounded Haiti exposes the way tragedy follows class lines as well as family ones."
"Within minutes of starting Katia D. Ulysse's novel--with settings in contemporary Haiti and America, and characters caught in the aftermath of Haiti's earthquake of 2010--the reader is drawn deep into an intricate tale of family and relationships across cultures...[Main character] Jacqueline Florestant's route is no easy one, but her story puts an individual face on the generalized social stigmas of Haiti."
--Island Origins Magazine, included in Summer Reading Roundup
No one was prepared for the massive earthquake that struck Haiti in 2010, taking over a quarter-million lives, and leaving millions of others homeless. Three thousand miles away, Jacqueline Florestant mourns the presumed death of her parents, while her husband, a former US Marine and combat veteran, cares for their three-year-old daughter as he fights his own battles with acute PTSD.
Horrified and guilt-ridden, Jacqueline returns to Haiti in search of the proverbial "closure." Unfortunately, the Haiti she left as a child twenty-five years earlier has disappeared. Her quest turns into a tornado of deception, desperation, and more death. So Jacqueline holds tightly to her daughter--the only one who must not die.
In Ulysse's powerful novel, Jacqueline has lived outside Haiti for over two decades, but news of the 2010 earthquake upends her life. She desperately tries to reach her wealthy department store magnate parents in Port-au-Prince but each failed call further cements her assumption that they did not survive. Her husband, Kevin, a former marine with PTSD, has nothing but tenderness for her as he cares for their young daughter, Amber. Jacqueline's pain transforms to frustration when her mother calls a month later from Miami, where they have safely been since shortly after the earthquake, a small taste of the self-involvement that curdled their relationship. Still feeling dislocated, Jacqueline begins Creole lessons with an eccentric and challenging American who lived in Haiti for years. Against her husband's strenuous objections (which she shrugs off as an offshoot of his trauma), Jacqueline takes their daughter to Haiti. A tragic accident shortly after their arrival causes a massive fissure between Kevin and Jacqueline. As Ulysse (Drifting) explores grief, she moves beyond her protagonist to consider the murky motivations and emotions of other characters. This is a harrowing, thoughtful dive into the aftermath of national and personal tragedies filtered through diasporic life.