My Fair Sadie: Allan Sherman and a Paradox of American Jewish Culture‪.‬

In a 1993 essay entitled The Paradoxes of American Jewish Culture, Stephen J. Whitfield found no shortage of them, including the following: "[The] American Jewish subculture looks drab in the light of an American culture that Jews have helped to energize, a mass culture that has dazzled the world. " (1) A good deal of the work done by scholars of Jewish studies has been energized by the desire to settle this paradox. There has been an attempt to rebalance the scales, to reinvigorate the Jewish subculture by claiming ownership of Hollywood, musical theater, comedy, Tin Pan Alley, and other cultural goods the Jews presented to America without asking for a receipt. Toward this end, Jewish cultural studies counters "the devaluation of Jewish difference" in order to "make Jewish literature, culture, and history work better to enhance Jewish possibilities for living richly." (2) For Whitfield, the future health of American Jewry is linked to the success of this cultural reclamation project. His exuberant and fascinating In Search of American Jewish Culture is a lost-and-found of Jewish inventiveness he believes is crucial to a full appreciation of that culture, and essential also for American Jews who must decide "what they and their descendants might want to live for." Whitfield's account of American Jewish culture includes Jews "who did not want to serve a manifestly ethnic or communal purpose." (3) He is content to ignore their wishes.