O, Africa!
A Novel
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- $7.99
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- $7.99
Publisher Description
A rollicking and ambitious novel that follows two filmmakers on an unlikely journey, while exploring the complexities of race, class, sexuality, and success in early twentieth century America.
In the summer of 1928, twin brothers Micah and Izzy Grand are at the pinnacle of their movie-making careers. From their roots as sons of Brooklyn immigrants, they have risen to become kings of silent comedy--with the brash, bloviating Micah directing and calling the shots, while his retreating brother skillfully works behind the lens. But when Micah’s penchant for gambling, and his interracial affair with Rose, a sharp-witted, light-skinned black woman from Harlem, combine to threaten his livelihood and his life, he finds himself in need of a quick escape.
As the ascent of the talkies looms on the horizon, the brothers’ producer offers them an opportunity that couldn’t be better timed: travel to Africa to compile stock footage of the exotic locales, as well as filming a new comedy in the jungle. Together with an unlikely crew of producers, stars and hangers-on, the Grands set out for Malwiki, where among the tribesmen they each discover unforeseen truths about themselves, their lovers, and the meaning of the movies.
Moving from the piers of Coney Island to Africa’s veld, and further to the glitter of early Hollywood, O, Africa! is an epic tale of self-discovery, the constraints of history and prejudice, and the stubborn resolve of family and friendship in the face of tragedy.
PUBLISHERS WEEKLY
With this ingeniously contrived, cleverly told, if ultimately overstuffed tale of the early days of filmmaking, Conn (author of P.) focuses on early-20th-century American pop culture. The novel opens in 1928 Coney Island as Brooklyn-born brothers Izzy and Micah Grand (n Grombotz) film a comedy starring Henry Till (a fictionalized version of Harold Lloyd) and featuring Babe Ruth. In debt to Harlem gangsters, and facing competition from the newly introduced talkies, Micah, the randy, risk-taking director, and Izzy, a sensitive cameraman, travel to Africa to make the first movie entirely shot on that continent. Assisted by dwarf camera operator Oscar Spiro and native translator Mtabi, the brothers befriend an African king and move into his village. Disaster ensues: the village's natural harmony is destroyed; beloved friends die; a hippopotamus eats the last reels of film. Conn falls short of his novel's high ambitions, tackling without illuminating themes of racism and cultural difference. But his novel's finest moments, including a description of the first Academy Awards and a glimpse of the inspiration for King Kong, demonstrate that Conn can capture the creative chaos of movies with a knowledgeable and resonant voice.
Customer Reviews
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