Off the Cliff
How the Making of Thelma & Louise Drove Hollywood to the Edge
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A lively and revealing behind-the-scenes look at the making of one of history's most controversial and influential movies, drawing on exclusive interviews with the cast and crew
“You’ve always been crazy,” says Louise to Thelma, shortly after she locks a police officer in the trunk of his car. “This is just the first chance you’ve had to express yourself.”
In 1991, Thelma & Louise, the story of two outlaw women on the run from their disenchanted lives, was a revelation. Suddenly, a film existed in which women were, in every sense, behind the wheel. It turned the tables on Hollywood, instantly becoming a classic, and continues to electrify audiences as a cultural statement of defiance.
In Off the Cliff, Becky Aikman tells the full extraordinary story behind this feminist sensation, which crashed through barricades and upended convention. Drawing on 130 exclusive interviews with the key players from this remarkable cast of actors, writers, and filmmakers, Aikman tells an inspiring and important underdog story about creativity, the magic of cinema, and the unjust obstacles that women in Hollywood continue to face to this day.
PUBLISHERS WEEKLY
Aikman (Saturday Night Widows) delivers an informative and lively behind-the-scenes look at the making of Thelma & Louise, the 1992 female-centered road movie that became a Best Screenplay Oscar winner and a feminist phenomenon. Journalist Aikman grounds her commentary in the wider context of how women are treated in Hollywood and how implausible a success story the film was: in fact, all the major Hollywood studios except outlier Path Entertainment turned down the project. Drawing on over 150 interviews, Aikman brings us the perspectives and backstories of all the major participants: neophyte screenwriter Callie Khouri, British director Ridley Scott (Blade Runner), stars Geena Davis and Susan Sarandon, composer Hans Zimmer, newcomer Brad Pitt, and old-school Hollywood studio head Alan Ladd Jr. Even though the movie was in a male director's hands, the women's voices are at its heart, and the ending scene, as Aikman explores, tested all limitations for what was acceptable for women on-screen. The movie should have been a promising new beginning for women in Hollywood, yet there still remains, as Aikman highlights, a dearth of female directors, screenwriters, and substantive female characters.
