On the Rooftop
A Novel
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- $14.99
Publisher Description
A Reese’s Book Club Pick
“An utterly original and brilliant story.” –Reese Witherspoon
A stunning novel about a mother whose dream of musical stardom for her three daughters collides with the daughters’ ambitions for their own lives—set against the backdrop of gentrifying 1950s San Francisco
At home they are just sisters, but on stage, they are The Salvations. Ruth, Esther, and Chloe have been singing and dancing in harmony since they could speak. Thanks to the rigorous direction of their mother, Vivian, they’ve become a bona fide girl group whose shows are the talk of the Jazz-era Fillmore.
Now Vivian has scored a once-in-a-lifetime offer from a talent manager, who promises to catapult The Salvations into the national spotlight. Vivian knows this is the big break she’s been praying for. But sometime between the hours of rehearsal on their rooftop and the weekly gigs at the Champagne Supper Club, the girls have become women, women with dreams that their mother cannot imagine.
The neighborhood is changing, too: all around the Fillmore, white men in suits are approaching Black property owners with offers. One sister finds herself called to fight back, one falls into the comfort of an old relationship, another yearns to make her own voice heard. And Vivian, who has always maintained control, will have to confront the parts of her life that threaten to splinter: the community, The Salvations, and even her family.
Warm, gripping, and wise, with echoes of Fiddler on the Roof, Margaret Wilkerson Sexton’s latest novel is a moving family portrait from “a writer of uncommon nerve and talent” (New York Times Book Review).
APPLE BOOKS REVIEW
You can almost hear Billie Holiday crooning in the background as you read Margaret Wilkerson Sexton’s marvelous coming-of-age story. It’s 1953, and widow Vivian Jones has pinned her dreams of fame and financial security on her three talented daughters: lovestruck Ruth, activist Esther, and overlooked Chloe. Performing as the Salvations, the sisters belt out Lady Day hits at a local San Francisco jazz club, while privately, they nurse very different ambitions. Sexton nimbly works in painful historical realities, as when white real-estate developers threaten the club and the family’s close-knit Black community. Vivian emerges not as a pushy stage mom but as a survivor. We looked forward to sitting down with this novel every chance we got.
PUBLISHERS WEEKLY
Sexton (The Revisioners) broadly reimagines The Fiddler on the Roof in an affecting family story set in a rapidly changing historically Black San Francisco neighborhood. It's 1953, and people from all walks of life pack the Champagne Supper Club to see the latest jazz and R&B performers. On Fridays, they cheer the Salvations, hometown favorites made up of sisters Ruth, Esther, and Chloe Jones. Now in their early 20s, the sisters' talents have been relentlessly forged during countless rooftop rehearsals run by their mother, Vivian, a widow whose hopes for her daughters all center on their musical superstardom. Just as Vivian's dream seems within reach, though, her daughters yearn for independence, with Chloe eyeing a solo career and Esther wanting to join the civil rights movement. Meanwhile, white developers begin disrupting Vivian's Black Fillmore neighbors— many of whom, like Vivian, fled racial violence in the deep South—with eminent domain proceedings. In alternating viewpoints, Sexton depicts the nuances of familial relationships, including the sisters' combination of loyalty and jealousy, as well as the complex and changeable nature of regret. The historical milieu is less sharply drawn, with celebrity cameos too often standing in for concrete details of time and place. Nevertheless, Sexton brings undeniable power to her depiction of dreams fragmented and deferred.