Orphans
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1.0 • 1 Rating
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- $7.99
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- $7.99
Publisher Description
With Orphans, Ben Tanzer continues his ongoing literary survey of the twenty-first-century male psyche, yet does so with a newfound twist, contemporary themes set in a world that is anything but. In this dystopian tale of a future Chicago, workers are sent off to sell property on Mars to those who can afford to leave, leaving what's left to those who have little choice but to make do with what's left behind: burnt out neighborhoods, black helicopters policing the streets, flash mobs, the unemployed in their scruffy suits, robots taking the few jobs that remain, and clones who replace those workers who do find work so that a modicum of family stability can be maintained. It is a story about the impact of work on family. How work warps our best intentions. And how everything we think we know about ourselves looks different during a recession.
This idea is writ large in the world of Orphans, where recession is all we know, work is only available to the lucky few, and this lucky few not only need to fear being replaced on the job, but in their homes and beds. It is also a story about drugs, surfing, punk music, lost youth, parenting, sex, pop culture as vernacular, and a conscious intersection of Death of a Salesman or Glengarry Glen Ross with the Martian Chronicles.
Looking to the genre of science fiction has allowed Tanzer to produce something new and fresh, expanding both his literary horizons, and the potential market for his work. Tanzer also looks to the story of Bartleby the Scrivener with Orphans, and the question of what are we allowed as workers, and expected to be, or do, when work is fraught with desperation. Ultimately, Orphans is intended to be a contemporary story about manhood and what it means in today's world, told from the perspective of work and family, and how any of us manage the parameters that family and work produce; but it's a story told in a futuristic world, where our greatest fears are in fact already realized, because there isn't enough of anything, and we are all too easily replaced.
PUBLISHERS WEEKLY
Tanzer's slim dystopian novel opens inauspiciously with clich d elements that include a vast, powerful Corporation and ubiquitous black helicopters, but as he focuses more and more intensely on the mind of narrator Norrin Radd, the story begins to gain in intensity. Radd's past is mostly obscure; somehow he has incurred a debt he has to repay to Corporation enforcer Morg, and acquired a wife and son for whom he has to provide. He has no idea how to do either until, against all odds, he's offered a job as a real-estate salesman on Mars. During Radd's long absences from his family, a clone takes his place at home, and Radd's brief bouts of hopefulness slowly give way to deepening despair. Channeling Orwell and Melville, with a nod to popular American culture, Tanzer (Lucky Man) creates a template for human disaffection and passivity in the face of incomprehensible and omnipotent forces. Under the shopworn elements, this bleak, powerful book is a harrowing cautionary tale about a future that threatens to overwhelm human individuality.