Pale Shadow
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- US$6.99
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- US$6.99
출판사 설명
Autumn, 1940—Linda Blanc is found tortured to death in her Gentilly home. New Orleans' Police Sergeant Israel Daggett can't make anything of the black woman's death until a Treasury Agent arrives on the scene. He lets Daggett know that Linda was the girlfriend of a bootlegger-turned counterfeiter, one Luis Martinez. Daggett's first step: find Luis.
Meanwhile, on the other side of town, Wesley Farrell is looking for Luis Martinez for his own reasons.
Luis is really in hot water. Not only are the cops and Farrell giving chase, but he's on the run from a blonde Spaniard named Santiago Compasso, the boss of the counterfeiting gang. Luis has run off with the key to the operation—the painstakingly constructed plates that produce twenty- and fifty-dollar bills so good they've got the boys at Engraving and Printing jealous. Compasso is worried, not only because his operation is loused up, but because he has someone of his own to answer to....
Now Farrell's in a contest with both the police and Compasso to find his amigo and discover the reason behind the doublcross—if a mysterious unseen assassin doesn't get there ahead of him.
PUBLISHERS WEEKLY
Gangsters are murdering each other throughout the town and over in the parishes in this entertaining retro hard-boiled novel set in New Orleans, September 1940, fifth in the series featuring nightclub owner Wesley Farrell. Farrell's old partner-in-crime, Luis Martinez, has stolen counterfeit plates for 20- and 50-dollar bills from "Spanish" Compasso, and Dixie Ray Chavez ("He expected people to die when he went to see them") has been hired to torture and kill until the plates are found. The growing body count soon brings in more sleuths, including Negro Detective Squad partners Israel Daggett and Sam Andrews, the FBI and the Treasury department. Skinner (Cat-Eyed Trouble; Blood to Drink) has done scholarly writing on Chester Himes, and uses his own turf in much the same way Himes used Harlem, delving into the overlapping relationships between the races, though less ink is spilt this time about Farrell having Creole blood and passing as white. But Skinner keeps up his references that make his hero sound like the Shadow (the mysterious Sparrow thinks Farrell is "as much a part of this strange city as the River"). The main characters, however, don't come to life as convincingly as do the casual players, such as the barkeep in the Fat Man Lounge or a woman with a voice "like honey seasoned with pepper." Still, this book ought to please readers with an affinity for the Big Easy and those who crave another hit of the hard-boiled.
