Publisher Description
Persuasion (1817) is the final novel written by English author Jane Austen—and the first to be attributed to her name. Persuasion was published posthumously to widespread critical acclaim, and has since been recognized as an understated and mature work of fiction from one of history’s finest writers. Like most of Austen’s novels, Persuasion involves an intricate network of characters and relationships, illustrating its author’s peerless attention to the inner workings of aristocratic society and the nuances of human communication.
Persuaded by her wealthy family to break off her engagement to the young Frederick Wentworth, Anne Elliot finds herself unmarried nearly eight years later. By now, with the Elliot family all but ruined by the spendthrift Sir Walter and his enabling daughter Elizabeth, the prospect of marriage is not only a distant hope for Anne, but a bitter reminder of what could have been. When chance reunites her with Frederick, now the esteemed Captain Wentworth for his accomplishments in the Napoleonic Wars, she will have to navigate feelings both old and new with the reversal brought on by their opposing fortunes. As the two are drawn closer together, they will have to decide if it is possible to rekindle a love that has lain dormant much longer than their engagement was allowed to last.
Jane Austen’s Persuasion is a perceptive and entertaining novel that raises timeless questions regarding the inequity of social life, the disparate opportunities available to men and woman, and the indomitable feelings which work to draw them together—and threaten to drive them apart.
This edition of Jane Austen’s Persuasion is a classic of English literature reimagined for modern readers.
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PUBLISHERS WEEKLY
Stevenson has read all of Austen's novels for audiobook, in abridged or unabridged versions, and her experience shows in this delightful production. Though dominated by the intelligent, sweet voice of Anne Elliot the least favored but most worthy of three daughters in a family with an old name but declining fortunes Stevenson provides other characters with memorable voices as well. She reads Anne's haughty father's lines with a mixture of stuffiness and bluster, and Anne's sisters are portrayed with a hilariously flighty, breathy register that makes Austen's contempt for them palpable. Anne's voice is mostly measured and reasonable an expression of her strong mind and spirit but Stevenson imbues her speech with wonderful shades of passion as Anne is reacquainted with Capt. Wentworth, whom she has continued to love despite being forced, years before, to reject him over status issues. Listening to Stevenson, as Anne, describe a sudden encounter with Wentworth, one hardly needs Austen's description of how Anne grows faint Stevenson's perfectly judged and deeply felt reading has already shown that she must have. Even those who have read Austen's novels will find themselves loving this book all over again with Stevenson's evocative rendition ringing richly in their ears.