Ghosts lurk in the bamboo forest outside the tiny northern Japanese town where Satomi lives with her elusive mother, Atsuko. A preternaturally gifted pianist, Satomi wrestles with inner demons. Her fall from grace is echoed in the life of her daughter, Rumi, who unleashes a ghost she must chase from foggy San Francisco to a Buddhist temple atop Japan's icy Mount Doom. In sharp, lush prose, Picking Bones from Ash - by Marie Mutsuki Mockett - examines the power and limitations of female talent in our globalized world.
In this ambitious debut, the narration alternates between Satomi, a Japanese girl pushed by her mother to make her mark on the world, and Rumi, Satomi's American daughter who grows up in the mid-late 1960s believing her mother is dead. The novel is strongest at the beginning, as Satomi tells of her postwar childhood in a small Japanese village, the only girl without a father and the only girl with a talent: she is going to be a world-famous concert pianist. After her mother remarries, Satomi goes away to music school and, later, to Paris to perfect her craft. In Paris and back in Japan, Satomi falls in with the Western antique dealers who will eventually take her to the United States after her mother dies. The second half switches between the stories of Satomi and Rumi, who develops a skill at reading Asian antiques and begins to wonder about her mother when an old friend of her parents re-enters her life. Rumi's quest to unravel her tricky family history is absorbing, and even if it lacks the simple beauty of Satomi's coming-of-age narrative, Mockett succeeds where many others fail: making the reader care.
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Picking Bones from ash
A great read and a way to go through early Japanese culture felt as if I was there .