Pin-Up Grrrls
Feminism, Sexuality, Popular Culture
-
- $32.99
-
- $32.99
Publisher Description
Subverting stereotypical images of women, a new generation of feminist artists is remaking the pin-up, much as Annie Sprinkle, Cindy Sherman, and others did in the 1970s and 1980s. As shocking as contemporary feminist pin-ups are intended to be, perhaps more surprising is that the pin-up has been appropriated by women for their own empowerment since its inception more than a century ago. Pin-Up Grrrls tells the history of the pin-up from its birth, revealing how its development is intimately connected to the history of feminism. Maria Elena Buszek documents the genre’s 150-year history with more than 100 illustrations, many never before published.Beginning with the pin-up’s origins in mid-nineteenth-century carte-de-visite photographs of burlesque performers, Buszek explores how female sex symbols, including Adah Isaacs Menken and Lydia Thompson, fought to exert control over their own images. Buszek analyzes the evolution of the pin-up through the advent of the New Woman, the suffrage movement, fanzine photographs of early film stars, the Varga Girl illustrations that appeared in Esquire during World War II, the early years of Playboy magazine, and the recent revival of the genre in appropriations by third-wave feminist artists. A fascinating combination of art history and cultural history, Pin-Up Grrrls is the story of how women have publicly defined and represented their sexuality since the 1860s.
PUBLISHERS WEEKLY
Weaving commentary from academia with testimony from such sources as Salt N Pepa and sex worker Annie Sprinkle, Buszek's authorial debut shows how the evolution of the pin-up is inextricably tied to the femenists movement, for better and worse, providing formal and (as she demonstrates) well-deserved appreciation to an art form that's rarely given much respect. The term "pin-up girl," though popularly associated with a particular time period (pre- and post-WWII) and image (buxom and half-naked with a come-hither expression), had its first incarnation in the early days of photography. In using burlesque performers as subjects, pioneering photographers subverted the straightforward portrait form in the 19th century, well aware-along with their subjects-that they had the power to challenge ideas of what it means to be a woman. Drawing on a large body of research and commentary, Buszek smartly focusing on individual contributions and landmarks rather than sweeping claims. An academic, Buschek isn't afraid to dig deep into her subject, but she tempers her treatise with healthy doses of wit, grace and rhythm, and rarely falters. 103 photos.
