Chief Inspector Alan Banks finds himself up against a diabolical arsonist in this electrifying novel of suspense from New York Times bestselling author Peter Robinson.
In the early hours of the morning, a man reports a fire on two old canal boats. One of the firefighters notices the use of accelerant at the scene and calls the police, but by the time Inspector Banks arrives, the fire brigade have put out the flames and only the smoldering wreckage remains. A body has been found on each barge, and all the evidence points towards a deliberate arson attack.
One of the victims is Tina, a young girl with a drug addiction and a terrible past who had been living with her boyfriend Mark. The other is Tom, an artist who had been living alone. Now, with little evidence to go on and a number of possible suspects, including Tina's boyfriend, the local 'lock-keeper' who reported the fire, and Tina's own father, Banks must begin to delve into the lives of the victims, and to discover who could have wanted them out of the way forever...
From the master of psychological suspense, Peter Robinson, comes a mind-bending thriller of secrets and murder.
Edgar winner Robinson's 14th police procedural to feature Yorkshire DCI Alan Banks isn't quite up to the level of last year's superlative Close to Home, but it's nonetheless an engaging pleasure. Three victims have died in two suspicious fires: Tom McMahon, an eccentric, mostly unsuccessful local artist; Tina Aspern, a young heroin addict estranged from an abusive stepfather; and Roland Gardiner, another down-and-out chap but one who just happens to have a fireproof safe containing a substantial amount of cash and what appears to be a Turner watercolor. To solve the crimes, Banks and his team DI Annie Cabbot and the refreshingly direct DC Winsome Jackman pursue good old-fashioned police work, interviewing witnesses, neighbors, relatives and lovers and sifting through the evidence gathered by their specialist colleagues. They also make ample use of contemporary forensic technology. In keeping with the moody and introspective Alan Banks, the narrative style is tempered and deliberate, perhaps too much so for those who prefer, say, the riveting urgency of a Michael Connelly thriller. Characterization is Robinson's real strength. Virtually every character is etched with care, precision and emotional insight. With each book, the quietly competent Alan Banks gets more and more human; like red wine, he gets better and more interesting with age.
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Playing With Fire
Certainly was a "can't put downer".. very good read.