Poppies of Iraq
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- $11.99
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- $11.99
Publisher Description
A personal account of an Iraqi childhood
Poppies of Iraq is Brigitte Findakly’s nuanced tender chronicle of her relationship with her homeland Iraq, co-written and drawn by her husband, the acclaimed cartoonist Lewis Trondheim. In spare and elegant detail, they share memories of her middle class childhood touching on cultural practices, the education system, Saddam Hussein’s state control, and her family’s history as Orthodox Christians in the arab world. Poppies of Iraq is intimate and wide-ranging; the story of how one can become separated from one’s homeland and still feel intimately connected yet ultimately estranged.
Signs of an oppressive regime permeate a seemingly normal life: magazines arrive edited by customs; the color red is banned after the execution of General Kassim; Baathist militiamen are publicly hanged and school kids are bussed past them to bear witness. As conditions in Mosul worsen over her childhood, Brigitte’s father is always hopeful that life in Iraq will return to being secular and prosperous. The family eventually feels compelled to move to Paris, however, where Brigitte finds herself not quite belonging to either culture. Trondheim brings to life Findakly’s memories to create a poignant family portrait that covers loss, tragedy, love, and the loneliness of exile.
Poppies of Iraq has been translated from the French by Helge Dascher. Dascher has been translating graphic novels from French and German to English for over twenty years. A contributor to Drawn & Quarterly since the early days, her translations include acclaimed titles such as the Aya series by Marguerite Abouet and Clément Oubrerie, Hostage by Guy Delisle, and Beautiful Darkness by Fabien Vehlmann and Kerascoët. With a background in art history and history, she also translates books and exhibitions for museums in North America and Europe. She lives in Montreal.
PUBLISHERS WEEKLY
An Iraqi childhood is cherished, examined, and let go in this tender look at youth amid upheaval. The daughter of an Iraqi dentist and a French woman, Findakly recalls picnics alongside archaeological sites, memorizing verses of the Quran in school, and censored phone calls between family members, all with an adult's heartfelt clarity. Though these memories are rendered whimsically, in delicate watercolors and a charmingly rounded style, terror is never far she notes often which sites of her youth have been destroyed, rendered unrecognizable, or taken over by ISIS. This contrast is the book's greatest strength: Findakly and cocreator Trondheim, her husband and an acclaimed French cartoonist himself, understand intimately that children do not stay children forever and innocence is not eternal. Neither, however, do they wallow death is never far from the door in this book, but life still happens. Findakly's story is an ode to a lost era, to be sure, but one with its feet planted securely in the present.
