Potent Pleasures
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٤٫٢ - ٢٣١ من التقييمات
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- 4٫99 US$
وصف الناشر
A young woman’s first taste of forbidden pleasure inadvertently sets off a comedy of errors in this “intriguing Regency romance” (Romantic Times) from the New York Times bestselling author of Midnight Pleasures.
“James weaves a web of scandals and surprises, forcing the reader into a delicious surrender.”—USA Today
Nothing is more seductive than temptation.
Reckless desire sends Charlotte Daicheston into the garden with a dashing masked stranger. He’s powerful, unforgettable, a devastatingly handsome footman who lures her—not against her will—into a grand indiscretion at a masquerade ball.
Then he vanishes.
Several years later, after Charlotte has made her dazzling debut in London society, they meet again. But the rogue is no footman. He’s rich, titled, and doesn’t remember Charlotte. Worse, he’s the subject of some scandalous gossip: rumor has it, the earl’s virility is in question. Charlotte, who knows all too intimately the power of his passion, is stunned by the gossip that has set society ablaze.
At last, there can be a storybook ending . . . unless, of course, Charlotte’s one mad indiscretion had not been with him at all. . . .
PUBLISHERS WEEKLY
Is he or isn't he? That's the question on London society's collective mind in this slow-starting but ultimately satisfying Regency romance. Alexander Foakes, earl of Sheffield and Downes, allowed his Italian wife, Maria, to divorce him on grounds that he was impotent, but now he turns up with a baby daughter he claims is his child by Maria, who kept Pippa's birth a secret until she was dying. Charlotte Calverstill, the unmarried Lady Daicheston, can't believe he is impotent--after all, he "ruined" her in a garden three years ago before leaving for Italy--but Alex doesn't seem to remember their tryst. Nonetheless, he is smitten with the new Charlotte in her trend-setting French gowns, and since Alex requires a mother for Pippa, Charlotte is his choice. Charlotte is less than thrilled that her first lover doesn't even remember their unplanned assignation, but her hormones are drawing her back to Alex, who desperately wants a virgin bride after the debacle of his previous marriage. Thus, the stage is set for surprises all around, though dedicated Regency readers will spot developments well in advance. There are a few unexpected twists, however, and James introduces several well-integrated subplots for variety. As an independent woman with kind and understanding parents who wouldn't dream of pressuring her to marry, Charlotte may not be a realistic representative of her era, but she is an engaging heroine. The depth of characterizations, the steady progression of the plot and the tongue-in-cheek title will attract readers who may just greet James as the next Amanda Quick.
مراجعات العملاء
Potent Pleasures
I enjoy historical romances on occasions. While I thought this one was overly long, still it was well written and kept my attention.
Waste of time
The description had me excited, but a quarter of the way in I was already disappointed. This wouldn’t be a horrible book if it were cut in half, (or maybe a quarter), but with how long it was, the disappointments just kept coming. The author took plot twists that could have been extremely exciting and completely butchered it every time. It seemed as if the author amped you up for the many exciting twists, just to disappoint you with a lackluster moment. On top of that, you were hopping from one perspective to another without any kind of transition. From the main characters perspective to random servants who had no part in the book. It was an extremely frustrating book to read.
Utter chaos
I tried. I really did. I forced myself to read 75% before I gave up.
The idea for the story line is fine. The execution is not.
The third person omniscient point of view (never appealing, ALWAYS difficult to write well) is utter chaos. The transitions between the characters is not well defined —leaving the reader to have to pause and figure out whose head they are currently in. It is difficult to get lost in a story when you’re constantly pausing to figure it out. I really didn’t need to be inside a foot man’s head when he is an extremely minor character in the story.
Too many names, too many characters, too many side stories. No less than a quarter of the book (probably more) could and should have been cut. Much of that was twaddle. Some could have been salvaged and made into separate stories.
Fortunately, the book has few typos and grammar problems. For that, I am truly thankful.
When I tried to make myself finish the book, I realized that I really didn’t give a fig about the characters or what happened to them. I had too much fluff and twaddle to keep,straight to devote enough energy to care.
This author has several other works published and I will read one of those next, hoping that she developed her storytelling skills and found an editor or publisher to reign in the chaos.