Pride and Prejudice is a novel by Jane Austen, first published in 1813. The story follows the main character Elizabeth Bennet as she deals with issues of manners, upbringing, morality, education and marriage in the society of the landed gentry of early 19th-century England. Elizabeth is the second of five daughters of a country gentleman, living near the fictional town of Meryton in Hertfordshire, near London.
Though the story is set at the turn of the 19th century, it retains a fascination for modern readers, continuing near the top of lists of 'most loved books' such as The Big Read. It has become one of the most popular novels in English literature, and receives considerable attention from literary scholars. Modern interest in the book has resulted in a number of dramatic adaptations and an abundance of novels and stories imitating Austen's memorable characters or themes. To date, the book has sold some 20 million copies worldwide.
At Cricket House Books we strive to craft an aesthetically pleasing product that complements (rather than distracts) the timelessness of the author’s masterpiece. By paying special attention to formatting, punctuation, and style, we aim to provide the reader with editions of classic books that look much more like a book and less like a webpage or text document. And we hope that our readers, consider that as something of value. Enjoy the read!
Collagist Fabe adds flair to Jane Austen's Pride and Prejudice with 39 original illustrations that accompany the unabridged text. Fabe's collages overlay bright, watercolor-washed scenes with retro cut-paper figures and objects sampled from fashion magazines from the 1930s to the '50s. Accompanying each tableau is a quote from the Pride and Prejudice passage that inspired it. Like Austen's book, Fabe's work explores arcane customs of beauty and courtship, pageantry and social artifice: in one collage, a housewife holds a tray of drinks while a man sits happily with a sandwich in hand in the distance. While tinged with irony and more than a dash of social commentary, the collages nevertheless have a spirit of glee and evidence deep reverence for the novel. As Fabe describes in a preface, Austen "was a little bit mean the way real people are mean so there are both heroes and nincompoops. Family is both beloved and annoying. That is Austen's genius, her ability to describe people in all their frailty and humor." This is a sweet and visually appealing homage. (BookLife)