Proof of Intent
A Charley Sloan Courtroom Thriller
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- $12.99
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- $12.99
Publisher Description
Okay, so your client is a liar. Does that make him a murderer?
In the dark hours of morning, Charley Sloan arrives at the palatial home of Miles Dane, celebrated novelist from the Detroit suburb of Pickeral Point, to find Dane's wife murdered in their bed.
Dane tells Charley he was downstairs working. Heard nothing, saw nothing.
The police arrive. Dane tells his story again. Only, this time there's a mysterious intruder fleeing down the hallway, with Dane in pursuit.
Miles Dane became a famous writer because he had a wild and violent imagination. But now that imagination seems to be getting him in trouble. The more he talks to the police, the crazier his story sounds. Is he making things up because that's just what he does? Or is it because he has something to hide?
Once the cops uncover physical evidence linking Dane to the crime, they're sure they know the answer. Dane is charged with murder.
Charley Sloan has his work cut out for him. How do you protect and represent a client who seems to be his own worst enemy?
Miles Dane's wild thoughts continue to dog him as the evidence rolls in. The police soon suspect that he had planned this crime many years ago. And made the mistake of writing it all down. In exact detail.
Was it a plan of action or just another of Miles Dane's strange fantasies? At first Charley can't help but think that Miles killed his wife. But as he begins conducting his own investigation into the case, Charley comes to believe that Miles his client has been framed. And that the real killer is using Dane's own bizarre imagination against him.
But if that's true, why doesn't Dane speak up?
Charley thinks he knows why. Dane has something to hide. Something from his past. Something shameful.
Charley understands shame. A recovering alcoholic with a string of wrecked marriages behind him, he has his own dark past. Charley has long been separated from his daughter Lisa, a law student and recovering alcoholic, who now joins the hard-pressed legal team. Will the case bring father and daughter together or drive them apart?
The trial begins and still it's unclear where Miles Dane's wild imaginings stop and reality begins. Or whether he is committing the ultimate sacrifice in order to atone for something he did long ago.
Only in the crucible of the final, fevered moments of trial will Charley finally put the pieces together. And reveal the stunning truth.
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Sorrells (Cry for Justice) takes one of the more endearing fictional lawyers from the 1980s and early 1990s, the late Coughlin's Charley Sloan, and puts him back in court with the same clever, bombastic style that Coughlin perfected in a string of successful Sloan novels (Shadow of a Doubt; The Judgement, etc.) before his death in 1993. Sloan, the thrice-divorced, formerly hard-drinking defense attorney from suburban Detroit, finds himself working for a particularly difficult client. Miles Dane, a thriller writer of fading popularity, stands accused of beating his wife to death. Dane insists he didn't commit the murder, but his implausible story of a late-night intruder strikes Sloan as a defense he would rather not take into court. Dane alludes to another version of events that would completely clear him, but he won't tell Sloan what it is. As the media frenzy over the trial of the enigmatic writer intensifies, Sloan has no option but to begin digging into Dane's personal life. What he finds the dead wife's enormous trust fund, a son kept secret from the public for nearly 30 years, a brood of in-laws who viciously ostracized Dane gives Sloan enough ammunition to keep the courtroom fireworks at full blaze. Sorrells does a credible job of maintaining Coughlin's breezy voice. He also gives Sloan a worthy sidekick: his daughter, Lisa, a law student who shares his aggressive approach to criminal defense, as well as his taste for liquor. The plot bogs down somewhat as Dane's trial starts, with many witnesses repeating what readers already know, yet Sorrells rallies down the stretch and adds a sly clincher at the end.