Public Access Afterworld
A Novel
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- $13.99
Publisher Description
A mysterious realm on the other side of our screens. A dark force that draws victims into its static. The unlikely hero called to save them and herself from this electric hell. Public Access Afterworld is the profound, binge-all-night, headrush of a novel by the celebrated filmmaker of I Saw the TV Glow and Teenage Sex and Death at Camp Miasma
One of Publisher Weekly’s Ten Best Books of the Year
“No synopsis can possibly convey the weird, full-hearted wonder of Jane Schoenbrun’s electrifying first novel . . . An entire generation may have found a receiver in this revelation of a book. Schoenbrun has called together the dreams and tribulations of a dimension of peoples—long erased, long maligned, too often brutalized, heroically resisting—and made them real.”—Junot Diaz, New York Times Book Review (Editors’ Choice)
“Beautiful, funny, and scathing . . . I stayed up all night binge-reading.”—SenLinYu ,author of Alchemised
“Gave me a vertiginous thrill I haven’t encountered since David Mitchell.”—Torrey Peters, author ofDetransition, Baby
“Heart-wrenching, hilarious, visionary, and so damned smart, this novel is a major work by a major writer.”—Paul Tremblay, author of A Head Full of Ghosts
“Dazzling and politically acute, Schoenbrun’s debut announces a major literary voice.”—Kirkus Reviews (starred review)
“A dazzling story . . . a great American novel.”—Publishers Weekly (starred review)
“One of the best novels of the year.”—Booklist (starred review)
Find the receiver. Make it real.
At 5:35 p.m. on September 3, 1988, Dallas weatherman Ray “Can You Say Sunshine” Davino makes passing reference to Public Access Afterworld during a rambling monologue, right before he puts a gun to his head on live television and pulls the trigger.
On June 12, 2009, David Sawyer and Erin Morrison, two lonely, TV-obsessed suburban teens who might be falling in love, gather in Erin's basement to watch TV's analog-to-digital transition. But in the static that follows, Erin witnesses surreal broadcasts from a pirate TV network called Public Access Afterworld, and their lives are changed forever.
Seventeen years later, Bethany Peters toils through the night shift at megacorp GlobalVill’s bleak Austin campus. A trans content moderator, she spends her evenings reviewing an endless stream of horrific videos. But then a young streamer begins to crop up in her feed calling out to Public Access Afterworld.
But what is Public Access Afterworld?
Spanning decades and realities, with an unforgettable ensemble of outcasts and nerds—especially the messy but wholly relatable Bethany, who must overcome paranoia and self-doubt to transform into a hero of our times—Public Access Afterworld will have you reading through the night and rooting for its characters to survive. A mesmerizing mash-up of speculative fiction, horror, and conspiracy, it marks the arrival of a major new force in contemporary fiction by a groundbreaking filmmaker who’s been compared to David Lynch and Paul Thomas Anderson.
APPLE BOOKS REVIEW
Jane Schoenbrun, the filmmaker behind I Saw the TV Glow, takes their transcendent obsession with broadcast media to a new level with this immersive novel. In 2009, David and Erin are two nerdy teenagers who are possibly falling in love, watching the changeover from analog to digital TV. In 2026, Bethany is a trans woman working at a video-streaming website. What unites them is the Public Access Afterworld, a hidden dimension they’ve each witnessed underneath the transmission of normal TV. Sometimes it transports people and traps them—people whose electrical charges are too powerful, whose presences are too off-kilter. People like Erin. This nightmarish world-building (and the corporate conspiracy behind it) is as wonderfully strange as it sounds, and the narrative is odd and compelling, with an ensemble of beautifully drawn misfits as supporting characters. And there’s real substance too. As David’s brush with the Public Access Afterworld turns him into a cult leader and Bethany’s inspires her to save everyone imprisoned in the static, you can’t help but notice that Schoenbrun weaves brilliant themes about the responsibility of being an outsider into this dark, surreal tale.