Re-Coil
-
-
4,1 • 11 đánh giá
-
-
- 9,99 US$
Lời Giới Thiệu Của Nhà Xuất Bản
The Expanse meets Altered Carbon in this breakneck science fiction thriller where immortality is theoretically achievable, yet identity, gender and selfhood are very much in jeopardy...
Carter Langston is murdered whilst salvaging a derelict vessel--a major inconvenience as he's downloaded into a brand-new body on the space station where he backed up, several weeks' journey away. But events quickly slip out of control when an assassin breaks into the medbay and tries to finish the job.
Death no longer holds sway over a humanity that has spread across the solar system: consciousness can be placed in a new body, or coil, straight after death, giving people the potential for immortality. Yet Carter's backups--supposedly secure--have been damaged, his crew are missing, and everything points back to the derelict that should have been a simple salvage mission.
With enemies in hot pursuit, Carter tracks down his last crewmate--re-coiled after death into a body she cannot stand--to delve deeper into a mystery that threatens humanity and identity as they have come to know it.
PUBLISHERS WEEKLY
Nicholas (SINdicate) introduces a far future in which humans stave off death by transferring their consciousness into new bodies in this briskly paced, noir-infused space opera. Three-hundred-year-old Carter Langston and his salvage crew explore a derelict spaceship full of coils, lab-grown human bodies without working brains. When one of the coils attacks, Langston dies, but his brain had been backed up and can easily be installed into a new coil, a procedure he's gone through often. This time, a strange glitch causes the re coiled Langston to lack key memories that could help him understand the attack, and the majority of his crewmates haven't been able to re-coil at all. To investigate, Langston teams up with hacker Chan. Their search leads from the habitats orbiting Venus to the domed cities of Mars, the base of Genetechnic Corporation, whose well-intentioned nanobots have created cyber zombies. Nicholas leavens his cynical noir ethos with a genuine connection between Langston and Chan; a sensitive, albeit rudimentary, exploration of the identity politics that would arise from humans frequently swapping bodies; and unexpected, if somewhat naive, optimism about corporate integrity. Readers will be drawn in by the compassionate characters and captivating premise.
