“Ray Bradbury is without a doubt, one of this, or any century’s greatest and most imaginative writers. Shadow Show, a book of truly great stories, is the perfect tribute to America’s master storyteller.”
—Stan Lee, legendary comic book writer and former president and chairman of Marvel Comics
“Great new tales of imagination in the Bradbury tradition.”
—Hugh Hefner, publisher and founder of Playboy Enterprises
In Shadow Show, 26 acclaimed writers have come together to pay tribute to the work of the one and only Ray Bradbury with never before published stories inspired by the master. The incomparable literary artist who has given us such timeless classics as Fahrenheit 451, The Martian Chronicles, The Illustrated Man, and Dandelion Wine, is being honored by some of the most notable names in the writing world—including Neil Gaiman, Joe Hill, Audrey Niffenegger, Margaret Atwood, Alice Hoffman, Robert McCammon, and more—with new short fiction that thrills, frightens, moves, and dazzles in the great Bradbury tradition. Edited by Sam Weller and Mort Castle, with an introduction by the man, Ray Bradbury himself, Shadow Show pays well-deserved homage to one of America’s greatest, most celebrated authors.
Ray Bradbury's recent death renders this loving tribute anthology a "homecoming" of "fantastic brethren from all over the world," as Bradbury writes in the introduction all the more poignant. The nameless narrator of Neil Gaiman's "The Man Who Forgot Ray Bradbury" has forgotten Bradbury's name, but not his stories. The heroine of Alice Hoffman's "Conjure" has her destiny and her closest friendship changed by Something Wicked This Way Comes. Bonnie Jo Campbell tells the origin story of an illustrated man in "The Tattoo," and Bayo Ojikutu's "Reservation" describes a dystopia that is a near cousin to that of Fahrenheit 451. Some of the best stories pay tribute in their evocation of Bradburyian themes: the vast possibilities and indescribable melancholy of childhood in Joe Hill's "By the Silver Water of Lake Champlain," the profundity of loss in John McNally's "The Phone Call," and the renewing power of storytelling in Robert McCammon's "Children of the Bedtime Machine." Bradbury biographer Weller and horror doyen Castle have produced a fine remembrance of a great writer, a deeply moving testament to his enduring appeal.