Sitting In
Selected Writings on Jazz, Blues, and Related Topics
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- US$29.99
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- US$29.99
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This collection of essays and poems about the influence of jazz on writing and culture in this country, an expanded edition of the 1986 publication, is a rewarding volume for all those entranced by jazz. Carruth brings his considerable poetic and literary sensibilities to bear on a topic very near to his heart: “Those who are devoted primarily to jazz, to poetry, to all the arts, are also those who contribute more intelligently than others to our practical and moral, political and social, advancement.”
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Poet, critic, novelist, editor and professor of English at Bucknell, Carruth, like the late Philip Larkin, is a devoted, knowledgeable aficionado of jazz, and in some of his best writing he relates black music to English and American literature, Afro-American culture and the nature of artistic imagination. In these reprinted essays and poems, he explores the origins, forms and influences of jazz and the blues, the principles of improvisation and spontaneity, the nature of expressiveness and the contributions of Earl Hines, Bessie Smith, Maxine Sullivan, Joe Turner, Ben Webster and other musicians. Some jazz fans may find this book scholarly, but the more literate will be enthralled by Carruth's comparing the playing ofPee Wee Russell with the poetry of Alexander Pope and William Butler Yeats. (October
