Skagboys
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- $12.99
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- $12.99
Publisher Description
Edimburgo, inicios de la década de los ochenta. Margaret Thatcher aplica sus recetas de dama de hierro en Gran Bretaña y estallan las huelgas mineras, el paro crece a un ritmo enloquecido y la gente se pregunta qué demonios le está pasando al país. Y por si la situación no fuese ya suficientemente complicada para las cada vez más empobrecidas clases trabajadoras urbanas, la heroína y el sida empiezan a circular masiva y descontroladamente por las calles. Y allí están Renton, Spud Murphy, Sick Boy, Begbie..., los personajes de Trainspotting, unos años antes de convertirse en los protagonistas de esa novela que supuso el deslumbrante debut literario de Irvine Welsh. En esta precuela igualmente arrolladora y feroz, pero más cargada de conciencia política y crítica social, el autor pinta un fresco demoledor de un país conducido al desastre por las salvajes políticas neoliberales y de una generación devastada por la heroína. «Casi veinte años después de Trainspotting, Welsh presenta una precuela que cuenta cómo sus personajes se engancharon a la heroína... Aunque ellos son más jóvenes, Welsh es más maduro y su escritura se ha matizado todavía más... Un libro inolvidable e importante» (Keir Graff, Booklist).
PUBLISHERS WEEKLY
Built upon 100,000 words set aside in the process of writing Trainspotting comes this prequel set in gritty early '80s Leith, Edinburgh. The familiar voices of Mark "Rent Boy" Renton, Simon "Sick Boy" Williamson, Danny "Spud" Murphy, Frank Begbie, Matty Connell, and Alison Lozinska crowd the pages of this sprawling narrative. Mark, who goes off to Aberdeen University, plans a rail tour of Europe with the girl of his dreams, Fiona Conyers, and seems poised to leave behind old mates like Ali, who secures a cushy job assisting efforts to eradicate the Dutch elm disease ravaging Edinburgh's trees. On her first day at work Ali accompanies her boss to a pub and meets his brother, who is secretly smuggling industrial grade heroin out of the local pharmaceutical plant, inadvertently unleashing another ravaging early '80s disease, AIDS (Welsh details both in newsy "Notes on an Epidemic" chapters). Meanwhile Matty, Simon, Frank, and Danny idly wander the streets in pursuit of pints, skag, lassies, brawls, and kindness. But after Mark deceives Fiona about his own drug use, and his disabled little brother dies, he joins the downward heroin-fueled trajectory of his disaffected peers. Parental intervention, arrests, and even rehab can't change the course of their addiction as they become increasingly cynical and uninterested in anything other than the next fix. Their combined experiences twist together the fading London punk scene, the declining power of the proletariat, hooliganism, neo-Nazism, and the AIDS epidemic that characterized Thatcherite Britain. Careening between boisterous, belligerent, hilarious, and maudlin emotional registers like a drunk at a party, this novel has a dizzy energy in spite of its aimless plot and general corpulence. As with much of Welsh's oeuvre, it's not for the uninitiated the prose is dense with Edinburgh dialect, disturbing sexual encounters, explosive violence, and much sorrow.
