Skirts
Fashioning Modern Femininity in the Twentieth Century
-
- $14.99
-
- $14.99
Publisher Description
In a sparkling, beautifully illustrated social history, Skirts traces the shifting roles of women over the twentieth century through the era’s most iconic and influential dresses.
While the story of women’s liberation has often been framed by the growing acceptance of pants over the twentieth century, the most important and influential female fashions of the era featured skirts. Suffragists and soldiers marched in skirts; the heroines of the Civil Rights Movement took a stand in skirts. Frida Kahlo and Georgia O’Keeffe revolutionized modern art and Marie Curie won two Nobel Prizes in skirts. When NASA put a man on the moon, “the computer wore a skirt,” in the words of one of those computers, mathematician Katherine G. Johnson. As women made strides towards equality in the vote, the workforce, and the world at large, their wardrobes evolved with them. They did not need to "wear the pants" to be powerful or progressive; the dress itself became modern as designers like Mariano Fortuny, Coco Chanel, Jean Patou, and Diane von Furstenberg redefined femininity for a new era.
Kimberly Chrisman-Campbell's Skirts looks at the history of twentieth-century womenswear through the lens of game-changing styles like the little black dress and the Bar Suit, as well as more obscure innovations like the Taxi dress or the Pop-Over dress, which came with a matching potholder. These influential garments illuminate the times in which they were first worn—and the women who wore them—while continuing to shape contemporary fashion and even opening the door for a genderfluid future of skirts. At once an authoritative work of history and a delightfully entertaining romp through decades of fashion, Skirts charts the changing fortunes, freedoms, and aspirations of women themselves.
PUBLISHERS WEEKLY
Journalist Chrisman-Campbell (The Way We Wed) takes an entertaining and insightful look at the evolution of the skirt across the 20th century. Spotlighting 10 groundbreaking styles and their various iterations, she examines each design through the lenses of gender, race, class, and fashion. Highlights include the risqué, body-skimming pleats of designer Mariano Fortuny's 1909 Delphos gown, which was inspired by a Hellenistic bronze sculpture, and the empowering and form-fitting elasticized bands of Azzedine Alaïa's 1989 "mummy" dress. Chrisman-Campbell also takes note of controversies surrounding tennis star Suzanne Lenglen's shedding of the sport's long skirt and petticoats for the mobility of a calf-length skirt in 1919, Coco Chanel's liberation of women's formalwear with her "little black dress" in 1920, and Diane von Furstenburg's capturing of the feminist and sexual revolutions with the wrap dress she created at her dining table in 1973. Chrisman-Campbell also sketches the history of men in skirts from the late Middle Ages, when bared legs symbolized strength and power, to Harry Styles's pairing of a black tuxedo jacket and gray evening gown for a 2020 Vogue cover: "There is no more menswear or womenswear, it implied; there is only fashion." Exquisitely detailed and evocatively written, this stylish history casts an underappreciated garment in a rewarding new light. Illus.
Customer Reviews
Informative and Interesting
Ms Chrisman-Campbell has a knack for blending everyday facts with tidbits of trivia, history, and contemporary perspectives. Well worth reading if you’re interested generally in fashion, or want to know more about the clothes you’ve seen on TV, movies, or other media.