From the creator of the Emmy-Award winning Downton Abbey ...
"The English, of all classes as it happens, are addicted to exclusivity. Leave three Englishmen in a room and they will invent a rule that prevents a fourth joining them."
The best comedies of manners are often deceptively simple, seamlessly blending social critique with character and story. In his superbly observed first novel, Julian Fellowes, winner of an Academy Award for his original screenplay of Gosford Park, brings us an insider's look at a contemporary England that is still not as classless as is popularly supposed.
Edith Lavery, an English blonde with large eyes and nice manners, is the daughter of a moderately successful accountant and his social-climbing wife. While visiting his parents' stately home as a paying guest, Edith meets Charles, Earl of Broughton, and heir to the Marquess of Uckfield, who runs the family estates in East Sussex and Norfolk. To the gossip columns he is one of the most eligible young aristocrats around.
When he proposes. Edith accepts. But is she really in love with Charles? Or with his title, his position, and all that goes with it?
One inescapable part of life at Broughton Hall is Charles's mother, the shrewd Lady Uckfield, known to her friends as "Googie" and described by the narrator---an actor who moves comfortably among the upper classes while chronicling their foibles---"as the most socially expert individual I have ever known at all well. She combined a watchmaker's eye for detail with a madam's knowledge of the world." Lady Uckfield is convinced that Edith is more interested in becoming a countess than in being a good wife to her son. And when a television company, complete with a gorgeous leading man, descends on Broughton Hall to film a period drama, "Googie's" worst fears seem fully justified.
In Snobs, a wickedly astute portrait of the intersecting worlds of aristocrats and actors, Julian Fellowes establishes himself as an irresistible storyteller and a deliciously witty chronicler of modern manners.
Wodehouse gets a modern twist in this brilliantly acerbic tale of snobbery and marital tomfoolery in 1990s London. Our nameless protagonist, a jovial, perceptive sort of 30-something fellow hanging affably about the fringes of society, introduces his middle-class but sleek and beautiful friend Edith Lavery to the earnest but dull Lord Charles Broughton. Much to the dismay of "civilized" society, Charles falls in love and proposes to the social-climbing but largely indifferent Edith. Even after she is married, Edith is snubbed and humiliated at every turn (in the slyest, politest possible way, of course), until she moves out in a huff with her married lover, Simon Russell, an actor/ego-on-legs who is eating up the publicity that comes with being seen with a countess and eager for this entr e into society (he doesn't realize Edith has been cast into the societal dung heap). To Edith's consternation, the glittering world of theater turns out to be just as small-minded and dull as that of society, with the added disadvantage of it not involving much money. Gossipy and dishy, this debut by the Oscar-winning screenwriter of Gosford Park is a merciless and hilarious sendup of snobbery and social jealousy, revealing the pettiness and self-absorption of both the envious and the envied.
Customer ReviewsSee All
Spare Yourself the Agony!
This was painfully boring, much like Charles Broughton himself. The only positive thing I can say is that it greatly improved my sleep quality because four pages in every time I picked up this book I fell fast asleep!
View from the not-so-cheap seats
Fascinating look into a quirky and closed (to most of us) world of the Titled from the not-so-cheap seats. Julian Fellowes' French phrases and obscure references are a quiet but constant reminder just how unfathomable the world of the aristocracy is. He clearly knows it well, and I found his portrayal of both sides to be honest and sympathetic. Couldn't put it down.