Solea
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5,0 • 4 đánh giá
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- 2,99 US$
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- 2,99 US$
Lời Giới Thiệu Của Nhà Xuất Bản
The final book in the Marseilles trilogy, following Chourmo, from "a talented writer who draws from the deep, dark well of noir (The Washington Post).
Ex-cop, loner, Fabio Montale returns in this stunning conclusion to Jean-Claude Izzo's Marseilles trilogy. Italian Mafiosi are hunting journalist-activist Babette Bellini, and the body count is growing as they close in on their prey. In desperation, Bellini seeks help from her former lover, Montale. Before he has time to shake off his most recent hangover, Montale is receiving sinister phone calls from men with Italian accents who want him to find Bellini for them. Like a woman he can't leave, like strong liquor he can't refuse, Marseilles lures Montale back into its violent embrace.
Solea is Izzo's heartfelt cry against the criminal forces corrupting his beloved city. It is his farewell to Marseilles and to its ideal protagonist, Fabio Montale. It concludes an unforgettable trilogy that epitomizes the aspirations and ideals of the Mediterranean noir movement.
Praise for Izzo's Marseilles Trilogy
"One of the masterpieces of modern noir." —The Washington Post
"Izzo's ability to describe Marseilles and to make his readers feel the multiracial reality of that city so directly and authentically is fascinating." —Andrea Camilleri, New York Times–bestselling author of the Inspector Montalbano series
"Sensationally readable . . . Full of fascinating characters." —Chicago Tribune
"Terrific." —The New York Times
"Like the best noir writers—and make no mistake, he is among the best—Izzo not only has a keen eye for detail . . . but also digs deep into what makes men weep." —Time Out New York
PUBLISHERS WEEKLY
In Izzo's taut concluding volume to his memorable Marseilles trilogy (after 2006's Chourmo), former cop Fabio Montale is still struggling to find a purpose in the wake of his leaving the police force. Despite his pessimism, Montale allows himself to hope again after he falls hard for a woman named Sonia he meets in a bar; noir fans will be less than surprised that the flicker of romantic promise is quickly extinguished in this case by a Mafia hit man targeting Montale and people he cares for to get him to divulge the location of his journalist friend, Babette, who's written an expos detailing mob links with politicians and the police. Babette's sophisticated analysis of organized crime's effect on the working classes, plus Izzo's unsparing treatment of his cynical hero, elevate this far above most Mafia-themed fiction.
