Some Bitter Taste
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5.0 • 2 Ratings
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- $9.99
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- $9.99
Publisher Description
The Twelfth Marshal Guarnaccia Investigation
When an elderly woman drops by the Florentine carabinieri to complain that someone broke in to her apartment while she was out, Marshal Guarnaccia listens patiently, offers advice, and vows to pay her a visit. But before he can keep his promise, Miss Hirsch is found dead, her throat cut. She wasn’t the only person to come to the Marshal for help in recent days. There’s also a young Albanian prostitute, who wants his help to stay out of prison, and a wealthy foreign robbery victim whose case the captain is quick to prioritize. The Marshal has his hands full, and his best efforts may not be enough to stop a murderer
PUBLISHERS WEEKLY
Fans of George Simenon's Inspector Maigret will find much to like in Nabb's 12th police procedural (after 2001's Property of Blood) to feature Marshal Salvatore Guarnaccia. A native of Sicily taken with the charms of his adopted Florence, Guarnaccia has earned the trust of its residents at all social levels as well as the high regard of his commanding officer, Captain Maestrangelo, at Borgo Ognissanti Headquarters. After an intruder breaks into Sara Hirsch's apartment but steals nothing, the frightened, impoverished spinster goes to the Palazo Pitti Station of the Florence Carabinieri for the marshal's help. When a wealthy English art collector is robbed of some silver brushes, possibly by a member of his palace staff, the two incidents seem unconnected, as does the subsequent murder of an Albanian prostitute. The marshal insists that he isn't a detective, but he shows himself to be a careful observer as he untangles multiple mysteries through insight into the Florentine community. While deferring to his superiors, Guarnaccia puts together the seemingly unrelated parts of a large picture they fail to see. Glimpses of our hero's family and home life, plus his reactions to the oppressive summer heat of the lovingly evoked setting, add to his humanity. The several subplots may tie together somewhat improbably in the end, but Nabb's elegant style and sensitivity to character more than compensate. (Oct.)
