Son of Elsewhere
A Memoir in Pieces
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- $4.99
Publisher Description
A NEW YORK TIMES NOTABLE BOOK OF THE YEAR • A “funny and frank” (The New York Times) collection of essays on Blackness, faith, pop culture, and the challenges—and rewards—of finding one’s way in the world, from a BuzzFeed editor and podcast host.
“A memoir that is immense in its desire to give . . . a rich offering of image, of music, of place.”—Hanif Abdurraqib, author of A Little Devil in America: Notes in Praise of Black Performance
At twelve years old, Elamin Abdelmahmoud emigrates with his family from his native Sudan to Kingston, Ontario, arguably one of the most homogenous cities in North America. At the airport, he’s handed his Blackness like a passport, and realizes that he needs to learn what this identity means in a new country.
Like all teens, Abdelmahmoud spent his adolescence trying to figure out who he was, but he had to do it while learning to balance a new racial identity and all the false assumptions that came with it. Abdelmahmoud learned to fit in, and eventually became “every liberal white dad’s favorite person in the room.” But after many years spent trying on different personalities, he now must face the parts of himself he’s kept suppressed all this time. He asks, “What happens when those identities stage a jailbreak?”
In his debut collection of essays, Abdelmahmoud gives full voice to each and every one of these conflicting selves. Whether reflecting on how The O.C. taught him about falling in love, why watching wrestling allowed him to reinvent himself, or what it was like being a Muslim teen in the aftermath of 9/11, Abdelmahmoud explores how our experiences and our environments help us in the continuing task of defining who we truly are.
With the perfect balance of relatable humor and intellectual ferocity, Son of Elsewhere confronts what we know about ourselves, and most important, what we’re still learning.
PUBLISHERS WEEKLY
BuzzFeed culture writer Abdelmahmoud debuts with an enthralling meditation on the joys and challenges of coming-of-age as an immigrant. When his family emigrated from Khartoum, Sudan, to Kingston, Ontario, in the late '90s, 12-year-old Abdelmahmoud was met with a rude awakening. As he writes in the title essay, "The friendly customs agent stamped my passport and said, ‘Welcome to Canada'... left out the ‘also, you're Black now, figure it out' part." In a series of essays run through with his charming wit, Abdelmahmoud articulates his life between worlds as something akin to "the hot, frothing outcome of two tectonic plates constantly crashing into each other." He reflects on navigating his Blackness in a glaringly white city, being Muslim in a post 9/11 world, and generational conflicts with his parents, brought to a head by his dating in college. Gradually, Abdelmahmoud begins to fashion a makeshift identity all his own, finding his "softest, most vulnerable self" in music (the essay titled "The O.C." finds its pathos in the eponymous show's soundtrack) and "building a language of touch and laughter" with his partner, Emily. Readers will be rapt by Abdelmahmoud's striking ability to forge a voice that's both raw and tenacious. Hilarious and somber, introspective and rollicking, this search for self is breathtakingly original.