Song and System
The Making of American Pop Music
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- $38.99
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- $38.99
Publisher Description
From the first Tin Pan Alley tunes to today’s million-view streaming hits, pop songs have been supported and influenced by an increasingly complex industry that feeds audience demand for its ever-evolving supply of hits.
Harvey Rachlin investigates how music entered American homes and established a cultural institution that would expand throughout the decades to become a multibillion dollar industry, weaving a history of the evolution of pop music in tandem with the music business. Exploding in the 1950s and ’60s with pop stars like Elvis and the Beatles, the music industry used new technologies like television to promote live shows and record releases. More recently, the development of online streaming services has forced the music industry to cultivate new promotion, distribution, copyright, and profit strategies.
Pop music and its business have defined our shared cultural history. Song and System: The Making of American Pop Music not only charts the music that we all know and love but also reveals our active participation in its development throughout generations.
PUBLISHERS WEEKLY
Rachlin (The Songwriter's Handbook), coordinator of the music business program at Manhattanville College, expertly lays out the history of pop music by framing "the evolution of the music business with the evolution of the popular song." From the rise of the Tin Pan Alley music publishing industry in 1880s New York City to the global streaming services of Apple and Spotify, Rachlin traces the "symbiotic relationship" between songs and the music business "as the songs shape the business and the business shapes songs." He shows, for example, how the careers of thousands of bands and hundreds of composers were helped by the success in the 1930s of coin-operated jukeboxes in nightclubs and bars. He also expertly illustrates how sales of pop songs of the 1960s were boosted when music industry distributors and wholesalers expanded their operations beyond music stores to include large chain department stores. And he is unsparing in his look at the way streaming companies have prospered while cutting into songwriters' profits, and how, for better or worse, technology is intrinsically linked to the music industry's future. Rachlin's informative and highly detailed narrative will resonate with music geeks and industry folks alike.
