Spring Poems Along the Rio Grande
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- $9.99
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- $9.99
Publisher Description
In Spring Poems Along the Rio Grande, Jimmy Santiago Baca continues his daily pilgrimage through the meadows, riverbanks, and bosques of the Rio Grande where winter dies, spring explodes, and inextricable links between the human spirit and the natural world are revealed.
In Spring Poems Along the Rio Grande, Jimmy Santiago Baca continues his daily pilgrimage through the meadows, riverbanks, and bosques of the Rio Grande where winter dies, spring explodes, and inextricable links between the human spirit and the natural world are revealed--"the river and I see through each other's skins / behind the eyes into the tunnels of water-bone and rushing marrow." These poems expand upon those in Baca's recent Winter Poems Along the Rio Grande -- his visions of love and loss, poverty and renewal, redemption and war are reflected in the rocks, trees and animals of his beloved New Mexico. In Spring Poems the words of the river "rise around thorny thickets / then descend again into the burbling stubble," and the poet surrenders himself to this place where his own words are woven by "a thumbnail-sized yellow spider/ with poppy seed eyes." Born in New Mexico of Chicano and Apache descent, Jimmy Santiago Baca was raised first by his grandmother, but was later sent with his brother to an orphanage. A runaway at age thirteen, it was after Baca was sentenced to five years in a Federal prison at the age of twenty-one that he began to turn his life around: there he learned to read and write and found his passion for poetry. His memoir A Place To Stand won the prestigious International Award. He is Champion of the International Poetry Slam and winner of The Before Columbus American Book Award and the Pushcart Prize.
PUBLISHERS WEEKLY
Once imprisoned, now celebrated nationally as a performer, poet and memoirist (A Place to Stand), Baca returns to the terrain, forms and concerns of Winter Poems Along the Rio Grande (2004) in this perhaps less ambitious sequel. Vivid free verse alternates description of the Texas-Mexico border (a site for the poet's regular walks and runs) with hopes and fears for the poet and for his nations. "Landscapes of war,/ people starving,/ refugees waving for us to help them" represent the hard politics of the present, competing for attention with the poet's difficult past ("when my life/ blew from street corner to street corner/ in menial work") and with what seem to be memories of sex addiction, the years when "my love/ was a madness." Baca tries both to envision a brighter future and to live fully, attentively, in the present, noticing both clear spots of natural beauty and incursions of things manmade, from the feather of a long-sought blue heron to "the green irrigation pipe-gates/ that mark the end of my run south." Fans of his earlier performance poetry may appreciate his new work's warmth, or wish it edgier, less suffused with optimism ("what is broken God blesses"). Against all his worries, all his reasons to despair, Baca again and again turns back to the border landscape he loves and trusts: "The Rio Grande bosque/ doesn't lie-when it's ready to show affection/ it does."