Spring
A Novel
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٤٫٢ - ١٨ من التقييمات
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- 12٫99 US$
وصف الناشر
From the Man Booker Prize Finalist comes the third novel in her Seasonal Quartet—a New York Times Notable Book and longlisted for the Orwell Prize for Political Fiction 2020
What unites Katherine Mansfield, Charlie Chaplin, Shakespeare, Rilke, Beethoven, Brexit, the present, the past, the north, the south, the east, the west, a man mourning lost times, a woman trapped in modern times?
Spring. The great connective.
With an eye to the migrancy of story over time and riffing on Pericles, one of Shakespeare's most resistant and rollicking works, Ali Smith tell the impossible tale of an impossible time. In a time of walls and lockdown, Smith opens the door.
The time we're living in is changing nature. Will it change the nature of story?
Hope springs eternal.
PUBLISHERS WEEKLY
Like its two predecessors in Smith's acclaimed Seasonal Quartet (Autumn and Winter), this dynamic novel captures the many turmoils of life in the contemporary U.K. through ecstatic language and indirect narrative collisions. The first third, set mostly on a Scottish train platform, concerns Richard Lease, an over-the-hill TV and film director mourning his recently deceased collaborator, Paddy. Rife with nuanced reflections on the nature of art and mourning, Richard's ruminative section is the book's most immediate and engaging. After Richard lowers himself into the path of an oncoming train, readers meet his would-be rescuer, Brit, a security guard at a migrant detention facility. Brit has been lured into an impromptu journey by Florence, a pseudo-messianic young girl seemingly capable of inspiring empathy in even the darkest of hearts. The three mismatched characters are soon traveling together, on their way to an old battlefield where the violences of yesteryear and the present day will converge. As was the case with Autumn and Winter, the novel's setting is its foremost strength and increasingly enervating flaw, leading to writing that alternately astounds and exasperates. About three-quarters of the way through the third quarter of this series, the book's most memorable character, Richard, provides a relevant description of the whole enterprise, a response for every season: "Gimmicky, but impressive all the same.")
مراجعات العملاء
Human Nature
Testament, indictment, plea? It's amazing how a British author writing about European refugee camps depicts the situation in America's detention centers described today. It's either a plot of the left or right or a description of human nature. The book opens with horrid Twitter ranting, an irrepressible muddy stream of consciousness description of media influence in the modern world; once you get past that, if you can, there's the story of Richard, a filmmaker who's grieving the loss of a friend, a muse; he's also grieving his youth and lost chances. There's Brit, who works in that place, that "detention center", a person just trying to get by. There's the story of how their stories intersect, an adventure. There's a mysterious young girl who seems to achieve miracles by speaking truth to power. There's mystery, hope, despair, resolution. There's a lot of buttons pushed in your internal psyche, as the author intends. Smith forces you to deal with the fact that the conditions that created World War II are even more active in the current world. And the unavoidable realization that if you look at history with open eyes and heart, the majority of us are the descendants of victims, persecutors, survivors, and collaborators. What choices will we make in our lives, whose descendants will judge us? Who are we, in our choices, in our souls? Just ordinary people, trying to get by.
(*I received an advance copy from Norton for review; much gratitude and consternation followed, as you've just read.)