To see the stars.
This was the great and paradoxical dream. To stand and look upward into space, at the myriad pin-points of light, forever out of reach, just as their forebears on Earth had in the long gone days before the building of the planetary shells.
Mars, Jupiter, Saturn... Shell had succeeded shell, each studded with its captive caged worlds, each progressively populated by men who could look up only into a sky of artificial luminaries and space debris.
Always Zeus, man-created prime mover, was at work beyond them, the giant space machines forming and working the next shell.
Uranus, Neptune, Pluto...The last shell.
Again they journeyed: Maq Ancor, Master Assassin, Magician Cherry and Sine Anura, Mistress of the Erotic, to reach the outer shell, to return to the past when Man could see the stars.
British author Titchmarsh (Rosie) brings the art world alive in this engaging romantic drama. In 2007, James "Jamie" Ballantyne reconnects with childhood chum and flame, Artemis "Missy" King, who resurfaces in the showroom of Jamie's auction house in Bath to bid on a painting on behalf of her grandfather. The reunited couple discover that a set of paintings by Sir Alfred James Munnings, owned by Missy's grandfather (himself owner of an established fine art gallery), are fakes. Their investigation reveals a long thread of family secrets and the source of the feud between their two families, revelations that cause the couple to split up. Titchmarsh alternates between the present and the story of Jamie's grandfather, Harry Ballantyne, and Missy's grandmother, Eleanor King, who met as art students at Oxford. The effect is nostalgic and builds anticipation and curiosity in the history of the two families, including the story behind the lost love of their grandparents.