Starry and Restless
Three Women Who Changed Work, Writing, and the World
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- Pre-Order
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- Expected Feb 24, 2026
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- $16.99
Publisher Description
The page-turning story of three women reporters and the way they changed the world, work, and journalism.
Rebecca West, Emily “Mickey” Hahn, Martha Gellhorn. Congo, the American South, Cuba, the lively salons of Shanghai, Yugoslavia on the brink of World War II, the shot-riddled streets of Spain, Hong Kong under Japanese occupation, Germany and Italy at war, post-Blitz London, McCarthy-era Mexico, and beyond. These women didn’t just bear witness to the great changes of the twentieth century, they didn’t just write the backstory to wars that roused their readers to support, they transformed the very world they were describing, and the way it was understood.
Each writer traversed the globe, searching for stories they would then dispatch to The New Yorker, The Times (London), The New York Times, The New Republic, The Atlantic Monthly, Collier’s, and Vogue. They often traveled alone, sometimes teaming up with other women reporters, sometimes with their husbands along for the ride. They sneaked onto the front lines when they were forbidden, interviewed civilians to gather color and detail. They wrote novels to pay the bills and articles to explain the world to itself. Over the course of their intertwining lives, they became mothers and friends, took joy in each other’s successes.
Julia Cooke’s Starry and Restless is the story of three women whose curiosity, grit, and ambition expanded the possibilities for women and meaningful work.
PUBLISHERS WEEKLY
In this expansive group biography, journalist Cooke (Come Fly the World) profiles three prolific mid-century female journalists and examines the impact their reporting had on both their times and their profession. Rebecca West, Emily "Mickey" Hahn, and Martha Gellhorn wrote about everything from the glitter of Shanghai to the horrors of Dachau; along the way, they were themselves the subjects of many a scandalous story regarding their affairs and divorces. It was an era when women reporters were frequently challenged as not up to the task, but it was also a time when writers were expanding "what a reporter could do in print," and all three relished this new freedom, crafting voice-driven work that often centered their own travels and travails. Each woman was stunningly independent while also being a mother and occasionally a wife, resulting in complex feelings about domestic life (Hahn told her daughters not to learn how to keep house so it couldn't be used against them; Gellhorn was obsessed with making her homes into "nests"). The ways in which, for these women, "family life and writing and roaming... braid together" ended up opening new possibilities for what it means to live a writer's life for both men and women, Cooke astutely observes. It's a fascinating study of how three legendary reporters left their mark.