Super-Infinite
The Transformations of John Donne
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- 12٫99 US$
وصف الناشر
Winner of the 2022 Baillie Gifford Prize for Non-Fiction
Winner of the 2022 Slightly Foxed Best First Biography Prize
Shortlisted for the 2023 Plutarch Award
A Wall Street Journal Top 10 Best Book of 2022
A New York Times Notable Book of the Year
Named a Best Book of the Year by The New Yorker, Times Literary Supplement, and Literary Hub
From the standout scholar Katherine Rundell, Super-Infinite presents a sparkling and very modern biography of John Donne: the poet of love, sex, and death.
Sometime religious outsider and social disaster, sometime celebrity preacher and establishment darling, John Donne was incapable of being just one thing.
He was a scholar of law, a sea adventurer, a priest, a member of Parliament—and perhaps the greatest love poet in the history of the English language. He converted from Catholicism to Protestantism, was imprisoned for marrying a sixteen-year-old girl without her father’s consent, struggled to feed a family of ten children, and was often ill and in pain. He was a man who suffered from surges of misery, yet expressed in his verse many breathtaking impressions of electric joy and love.
In Super-Infinite, Katherine Rundell embarks on a fleet-footed act of evangelism, showing us the many sides of Donne’s extraordinary life, his obsessions, his blazing words, and his tempestuous Elizabethan times—unveiling Donne as the most remarkable mind and as a lesson in living.
PUBLISHERS WEEKLY
Scholar Rundell (The Wolf Wilder) explores in this thoughtful biography the life and art of poet and priest John Donne (1572–1631), positioning him as an imaginative, witty, and sensual figure. Donne "reimagined and reinvented himself, over and over: he was a poet, lover, essayist, lawyer, pirate, recusant, preacher, satirist, politician, courtier, chaplain to the King, dean of the finest cathedral in London," Rundell writes as she traces Donne's life from his birth into a Catholic family during the strife of the Protestant Reformation through his formal education, appointment as a member of Parliament, marriage to Anne More (which got him thrown into Fleet Prison; More was a minor and her family didn't approve the marriage), and his eventual renunciation of Catholicism for Anglican priesthood. Donne was keenly aware of sorrow, Rundell shows, and believed "we, humans, are at once a catastrophe and a miracle." But he was also a biting satirist who mocked social expectations through his writing, and a romantic. ("The word most used across his poetry, apart from ‘and' and ‘the'," Rundell notes, "is ‘love.' ") Rundell's prose is stylish and playful, referring, for instance, to Donne's religious treatise Pseudo-Martyr as "so dense it would be swifter to eat it than to read it." This comprehensive study is poetic in its own right; scholars, students, and poetry lovers, take note.
