Sweetland: A Novel
-
-
4.1 • 18 Ratings
-
-
- $10.99
-
- $10.99
Publisher Description
Winner of the CBC Bookie Award for Fiction
Winner of the Newfoundland & Labrador Book Award
Finalist for the the BMO Winterset Award
Longlisted for the Dublin Literary Award
Shortlisted for the Governor General’s Literary Award
An Audie Awards Finalist
The epic tale of an endangered Newfoundland community and the struggles of one man determined to resist its extinction.
The scarcely populated town of Sweetland clings to the shore of a remote Canadian island. Its slow decline has finally reached a head, with the mainland government offering each islander a generous resettlement package— the only stipulation being that everyone must leave. Fierce and enigmatic Moses Sweetland, whose ancestors founded the island, is determined to refuse. As one by one his neighbors relent, he recalls the town’s rugged history and its eccentric cast of characters. For fans of The Shipping News, Michael Crummey’s prose conjures up the mythical, sublime world of Sweetland’s past amid a storm-battered landscape haunted by local lore. In a spare style that belies “huge emotional depth and heart” (Celeste Ng, author of Everything I Never Told You), Crummey masterfully weaves together the past and present, creating in Sweetland a spectacular portrait of one man’s battle to survive as his world vanishes around him.
PUBLISHERS WEEKLY
Sweetland is both a place a small island off Newfoundland and a person Moses Sweetland and both have seen better times. The provincial government is offering resettlement money to Sweetland residents, but only if everyone agrees to leave. Moses Sweetland is 69 years old and has been disfigured by an industrial accident. When the story opens, he is the only person aside from the man considered the island idiot who opposes the government's proposition. He's under plenty of pressure to accept, but the island named for his ancestors, where he takes his great-nephew rabbit hunting and hands down family legends, is the only place Moses can imagine living. Crummey, whose last book, Galore, won the Commonwealth Prize, does both man and place justice: Moses is a memorably strong-willed character, whose manner of thinking and speaking are dying out. The novel also conveys the way that a sense of place is the product of relationships among the living, with the dead, and, in Moses's case, arising from intimate connections to land and sea. At the end of the story, Moses remains alone on the island, his supplies dwindling, beset by injury, cold, and memories the question isn't what will happen, but how. Having nearly trapped himself in a narrative corner, Crummey writes himself out of it, concluding the book in a way that recalls Aristotle's maxim from the Poetics: the best endings find a way to be both surprising and inevitable.
