Tale of Genji
The Authentic First Translation of the World's Earliest Novel
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- $9.99
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- $9.99
Publisher Description
The most famous work of Japanese literature and the world's first novel--written a thousand years ago and one of the enduring classics of world literature.
Written centuries before the time of Shakespeare and even Chaucer, The Tale of Genji marks the birth of the novel--and after more than a millennium, this seminal work continues to enchant readers throughout the world.
Lady Murasaki Shikibu and her tale's hero, Prince Genji, have had an unmatched influence on Japanese culture. Prince Genji manifests what was to become an image of the ideal Heian era courtier; gentle and passionate. Genji is also a master poet, dancer, musician and painter. The Tale of Genji follows Prince Genji through his many loves and varied passions. This book has influenced not only generations of courtiers and samurai of the distant past, but artists and painters even in modern times--episodes in the tale have been incorporated into the design of kimonos and handicrafts, and the four-line poems called waka which dance throughout this work have earned it a place as a classic text in the study of poetry.
This version by Kencho Suematsu was the first-ever translation in English. Condensed, it's a quarter length of the unabridged text, making it perfect for readers with limited time.
"Not speaking is the wiser part,
And words are sometimes vain,
But to completely close the heart
In silence, gives me pain."
--Prince Genji, in The Tale of Genji
PUBLISHERS WEEKLY
Widely recognized as the world's first novel, as well as one of its best, the 11th-century tale of Genji the shining prince has been painstakingly and tenderly translated by Tyler, a retired professor of Japanese language and literature. Genji, the son of an emperor by one of his "Intimates" and preternaturally blessed with beauty and charm, is the center of this two-volume opus though he and his heroine die some two-thirds into the book which details both his political fortunes and his many amorous adventures. Chronicling some 75 years of court life with a dizzyingly large cast of characters, it is an epic narrative; it is also minutely attentive to particulars of character, setting, emotion even costume. While two complete English translations exist (Arthur Waley's of 1933 and Edward Seidensticker's of 1976), Tyler clearly intends his to be the definitive one. It is richer, fuller and more complicated than the others indeed, Tyler's fidelity to the bygone Japanese custom of not writing proper names can sometimes make it difficult, for example, to determine which of Genji's myriad lovers he is thinking about. Unlike Waley's translation, Tyler's is unexpurgated; unlike Seidensticker's, his is heavily annotated. New line drawings of Japanese architecture and activity complement the text, while character lists at chapter beginnings, a plot summary at the conclusion and two glossaries one of offices and titles, the other of general terms orient the reader in a multigenerational and unfamiliar world. Tyler's formality of tone (contrast Seidensticker's anachronistic "He could see her point" to Tyler's simple "He sympathized") offers readers a more graceful, convincing rendering of this 1,000-year-old masterpiece. Scholars and novices alike should be pleased. 6-city translator tour.
